Frederick R. Gardner collection of Robert Lawson
- Repository
- Free Library of Philadelphia: Rare Book Department
- Call Number
- FLP.RBD.LAWSON
- Creator
- Gardner, Frederick R.
- Title
- Frederick R. Gardner collection of Robert Lawson
- Date [inclusive]
- 1900-1983
- Extent
- 69.8 Linear feet
- Language
- English.
- Abstract
- This collection contains the literary papers of author and illustrator Robert Lawson (1892-1957), collected by Frederick R. Gardner. Materials date from 1900 to 1983. Lawson’s illustrations make up the bulk of this collection; illustrations for forty-seven titles and unpublished artworks are represented. In addition to etchings and illustrations in graphite, pen and ink, and watercolor, the collection includes articles, clippings, correspondence, manuscript drafts, photographs, promotional materials, slides, and speeches. Some of Frederick R. Gardner's records relating to his collecting project are also represented. Of particular note are the dummy for Munro Leaf’s The Story of Ferdinand (1936) and the original art for Mr. Popper’s Penguins (1938) and Wee Gillis (1938).
- Cite as
- [Description and date of item], [Box and folder number], Frederick R. Gardner collection of Robert Lawson, 1900-1983, Free Library of Philadelphia, Rare Book Department.
Robert Lawson was born in New York City on October 4, 1892, and spent his early years in Montclair, New Jersey. Lawson attended the New York School of Fine and Applied Arts (which today is Parsons The New School for Design) from 1911-1914, then served in France as a camouflage artist during World War I. After the war, Lawson returned to New York to work as a freelance illustrator for Designer, Harper’s Weekly, Vogue, and other publications. In New York he met fellow artist and illustrator Marie Abrams and they married in 1922, moving to Westport, Connecticut a year later. To pay off their house they designed a new greeting card each day for three years, until the Great Depression forced them to sell the house and return to New York to find work.
In addition to his commercial work designing greeting cards and advertising, Lawson illustrated his first children’s book, The Wonderful Adventures of Little Prince Toofat (serialized 1921-1922 in Delineator and published in 1922), although he was apparently displeased with the results and never included the work in his records or library. A gap of eight years followed the publication of Little Prince Toofat, during which Lawson concentrated on his commercial work before returning to children’s book illustration in 1930. Around the same time he began etching and proved skilled enough to receive the John Taylor Arms Prize from the Society of American Etchers in 1931.
Soon the Lawsons were able to return to Westport and Lawson began to focus almost exclusively on illustrating children’s books. In 1936 he achieved his greatest recognition with the art for The Story of Ferdinand, by Munro Leaf. Two years later came Mr. Popper’s Penguins, by Florence and Richard Atwater, and in 1939 Lawson branched out to authoring and illustrating his own children’s books. His first book, Ben and Me, began a thematic trend in Lawson’s works, telling the story of a famous historical figure through the first-person narrative of a close animal friend. Ben and Me told the story of Benjamin Franklin and his mouse, Amos. 1941 saw I Discover Columbus, in which the parrot Aurelius told of his voyage with Christopher Columbus, and in 1953 Scheherazade the horse carried Paul Revere on his famous ride in Mr. Revere and I. The final variation was 1956’s Captain Kidd’s Cat, introducing children to the famous Scottish pirate’s cat, McDermot.
Lawson received the Caldecott Medal in 1941 for the patriotic They Were Strong and Good, and twice received Caldecott Honors: one in 1938 for Four and Twenty Blackbirds: Nursery Rhymes of Yesterday Recalled for Children of Today (1937) and one the following year for Wee Gillis (1938), written by The Story of Ferdinand’s Munro Leaf. One of his most famous works, 1944’s Rabbit Hill, based on the Lawsons’ home of the same name in Westport, Connecticut, won the Newbery Medal in 1945, and he received a posthumous Newbery Honor in 1958 for his final book, 1957’s The Great Wheel. Lawson illustrated more than sixty books in his lifetime, writing or editing twenty, and many of his books remain popular and widely read today.
Bibliography:
Children’s Literature Review, vol. 73.
Gardner, Frederick R. “Robert Lawson on My Shelves.” The Journal of the Long Island Book Collectors no. 3 (1975): 7-14.
Something About the Author, vol. 100.
This collection contains the literary papers of author and illustrator Robert Lawson. Lawson’s illustrations make up the bulk of this collection. The materials were primarily collected and compiled by Fredrick R. Gardner, and the collection includes some of Gardner's materials relating to his collecting project. Art for forty-seven titles is represented in the collection, including Lawson's well-known illustrations for Mr. Popper’s Penguins (1938) and the original dummy for The Story of Ferdinand (1936). The collection dates between 1900 and 1983 and consists of more than 1,200 matted illustrations for published and unpublished works (primarily pen and ink, but also including etchings and works in graphite and watercolor), an audiotape, correspondence, clippings, drafts, photographs, promotional materials, slides, and typescripts. There is also a framed self-portrait in oil paint and a filmstrip of the Caldecott-winning They Were Strong and Good. Frederick R. Gardner also collected first editions for most of Robert Lawson's published books, including several that are inscribed by Lawson.
The papers of Robert Lawson include unpublished manuscript drafts, reviews and critical material on his life and work, a selection of his correspondence, and a number of his published articles and speeches, including his acceptance speech for the 1945 Newbery Award for Rabbit Hill. There is a small number of promotional items, largely related to The Story of Ferdinand and its 1938 film adaptation by the Walt Disney Company. The autobiographical material includes hundreds of photographs and slides taken by Robert Lawson and his wife, illustrator Marie Lawson, while on vacations and at their home “Rabbit Hill” (Westport, CT). There is a collection of publicity photographs of Robert Lawson and Marie Lawson, and photographs related to the publications of They Were Strong and Good and The Story of Ferdinand. Photographs for The Story of Ferdinand feature Lawson with the author, Munro Leaf, and their longtime editor, May Massee. The Lawsons also designed and produced Christmas cards which can be found along with Robert Lawson's sketchbooks from his World War I deployment in France and a small selection of Marie Lawson’s artwork.
The records of Frederick R. Gardner related to the collection include catalogs and records documenting his purchases and correspondence relating to Gardner's collecting project. There are a number of letters to the Lawsons' former neighbor, Margaret Otto, who served as executrix of Robert Lawson's estate and who donated a number of his etchings to the collection. Otto's sales ledger of Lawson material is also included. There is also an audiotape of a 1963 interview with Lawson's long-time editor May Massee, newspaper clippings (some regarding Gardner's career and some regarding Robert Lawson's), photographs Gardner took during a visit to Rabbit Hill after the Lawsons' deaths, and promotional materials produced by the Free Library of Philadelphia for the 1977 Lawson exhibit organized to celebrate Frederick R. Gardner's donation.
This collection is arranged in five series: I. Papers of Robert Lawson; II. Photographs and Slides; III. Illustrations; IV. Published Volumes; V. Papers of Frederick R. Gardner related to the collection.
The first series includes eight subseries: i. Articles; ii. Books; iii. Correspondence; iv. Personal art of Robert and Marie Lawson; v. Press clippings; vi. Promotional materials; vii. Short Stories; viii. Speeches. The subseries for correspondence is arranged chronologically, all other subseries are arranged alphabetically by folder title.
The second series includes nine subseries, arranged alphabetically by folder title: i. Cabinet card photograph of Marie Lawson; ii. Contact prints and negatives reprinted by the Free Library; iii. Hand-colored platinotype of Marie Lawson; iv. Lawson family photo album; v. Negatives and contact prints; vi. Publicity photographs; vii. Rabbit Hill; viii. Slides; ix. "They Were Strong and Good" filmstrip.
The third series includes fifty subseries, arranged alphabetically by title. It includes forty-seven books written and/or illustrated by Robert Lawson, along with work he produced for Designer and Pictorial Review. The final subseries is a collection of his unpublished artwork and etchings.
The fourth series is arranged alphabetically by title.
The fifth series includes five subseries: i. Catalogs and Inventories; ii. Correspondence; iii. Clippings; iv. Photographs of Rabbit Hill; v. Promotional materials relating to the Free Library of Philadelphia's 1977 exhibit "Robert Lawson: Illustrator and Author."
- Publication Information:
-
Free Library of Philadelphia: Rare Book Department, December 2011
- Finding Aid Author:
-
Finding aid prepared by Caitlin Goodman
- Sponsor:
-
The processing of this collection was made possible through generous funding from The Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources’ “Cataloging Hidden Special Collections and Archives” Project.
- Access Restrictions:
-
This collection is open for research use.
- Use Restrictions:
-
The right of access to material does not imply the right of publication. Permission for reprinting, reproduction, or extensive quotation from the rare books, manuscripts, prints, or drawings must be obtained through written application, stating the use to be made of the material. The reader bears the responsibility for any possible infringement of copyright laws in the publication of such material. A reproduction fee will be charged if the material is to be reproduced in a commercial publication.
- Custodial History:
-
The great majority of the materials were collected by Frederick R. Gardner and donated in batches between 1969 and 1977, but some items were individually purchased by the library from various dealers at later dates. Additionally, the etchings and their accompany sketches were donated by Margaret G. Otto, Robert Lawson's neighbor and an heir to his estate.
- Immediate Source of Acquisition:
-
Gift of Frederick R. Gardner, 1969-1977.
- 78 rpm records
- Audiocassettes
- Books
- Clippings
- Correspondence
- Drawings (visual works)
- Dummies (printed matter)
- Ephemera
- Etchings (prints)
- Filmstrips
- Illustrations
- Manuscripts
- Negatives (photographic)
- Photograph albums
- Photographs
- Programs (documents)
- Sketchbooks
- Sketches
- Slides (photographs)
- Aikin, Lucy, 1781-1864
- Allen, Fred, 1894-1956
- Arms, John Taylor, 1887-1953
- Atwater, Florence
- Atwater, Richard
- Bianco, Margery Williams, 1881-1944
- Brewton, John Edmund, 1898-1982
- Bunyan, John, 1628-1688
- Chester, George Randolph, 1869-1924
- Coatsworth, Elizabeth Jane, 1893-1986
- Elliott, Huger, 1877-1948
- Farjeon, Eleanor, 1881-1965
- Farrar, Geraldine, 1882-1967
- Fish, Helen Dean
- Flagler, Harry Harkness, b. 1870
- Forester, C. S. (Cecil Scott), 1899-1966
- Gardner, Frederick R.
- Lang, Andrew, 1844-1912
- Lawson, Marie A. (Marie Abrams), 1894-1956
- Lawson, Robert, 1892-1957
- Leaf, Munro, 1905-1976
- Marquand, John P. (John Phillips), 1893-1960
- Mason, Arthur, 1876-1955
- Massee, May, 1881-1966
- Otto, Margaret G.
- Ring, Barbra, 1870-
- Robinson, Thomas P. (Thomas Pendleton), 1878-
- Sayers, Frances Clarke, 1897-
- Stephens, James, 1882-1950
- Sterne, Emma Gelders, 1894-1971
- Sterner, Albert, 1863-1946
- Tarn, W. W. (William Woodthorpe), 1869-1957
- Teal, Val
- Vining, Elizabeth Gray, 1902-1999
- Young, Ella, 1867-1956
- Children's authors--20th century
- Children's literature--20th century
- Illustrated children's books--20th century
- Illustration of books--20th century
Date | Drawer | Bin | Box | Folder | Object | |
---|---|---|---|---|---|---|
Papers of Robert Lawson | ||||||
Articles | ||||||
"The Art of Caldecott and Greenaway," newspaper clippings | 1946 March 17 | 39 |
1 |
|||
Autobiographical sketch, carbon copy | circa 1942 | 39 |
2 |
|||
"Fan Mail and High Blood Pressure," carbon copy | circa 1931-1957 | 39 |
3 |
|||
"Foxezee Trabbit? Not at Rabbit Hill," magazine clipping | 1944 November | 39 |
4 |
|||
"The Genius of Arthur Rackham," magazine clipping and photocopy | 1940 May-June | 39 |
5 |
|||
"I Remember Ebe," carbon copy | circa 1931-1957 | 39 |
6 |
|||
"It Was a Nice Simple Idea," magazine clipping | 1943 July 10 | 39 |
7 |
|||
"Lo, the Poor Illustrator!" magazine clipping | 1935 December 7 | 39 |
8 |
|||
"Make Me a Child Again," magazine clipping | 1940 November | 39 |
9 |
|||
Memorial to George Wright, newspaper clipping | 1931 March 22 | 39 |
10 |
|||
"On Children and Books," magazine clipping | 1942 February | 39 |
11 |
|||
On the literary tastes of children, typescript with manuscript clippings pasted in | circa 1931-1957 | 39 |
12 |
|||
"Robert Lawson Answers the 'Menace' of the Comics," corrected typescript and newspaper clipping | 1949 | 39 |
13 |
|||
"The Story of Robert Lawson," magazine clipping | circa 1945 | 39 |
14 |
|||
"Tough Winter," typescript | circa 1954 | 39 |
15 |
|||
Books | ||||||
At That Time, unrevised galley proofs | 1947 | 40 |
1 |
|||
"The Book of Rat," manuscript outline, typescript, and carbon copy | circa 1952 | 40 |
2-3 |
|||
The Great Wheel, corrected typescript and carbon copy | circa 1956-1957 | 40 |
4-5 |
|||
"Joney," typescript with manuscript additions and carbon copy | circa 1920-1957 | 40 |
6-7 |
|||
"Karley Carver," typescript | circa 1920-1957 | 40 |
8 |
|||
"The Refugees," carbon copy | circa 1920-1957 | 40 |
9-10 |
|||
"These I Have Loved," typescript | circa 1930-1957 | 40 |
11 |
|||
Correspondence This series is primarily fan mail from a wide variety of admirers but also includes
some business correspondence (including the letter from the American Library Association
awarding Lawson the 1940 Caldecott Medal) and a small selection of personal letters
to the Lawsons.
|
circa 1929-1956 | 39 |
16-19 |
|||
Personal artwork | circa 1916-1953 | |||||
Artworks by Marie Lawson | ||||||
“Dandelion Wings,” graphite on paper | circa 1922-1956 | 36 |
18 |
|||
"The Prize Song," page 45, pen and ink on board | 1935 | 36 |
19 |
|||
"The Prize Song," page 83, pen and ink on board | 1935 | 36 |
20 |
|||
"The Prize Song," page 187, pen and ink on board | 1935 | 36 |
21 |
|||
Bookplate designed for Marie Lawson by Robert Lawson, etching | circa 1914-1922 | 39 |
20 |
|||
“Dream,” etching by Albert Sterner, given to Robert Lawson in 1932 | 37 |
9 |
||||
Greeting cards designed by Robert and Marie Lawson, 19 items | 1916-1953, undated | 39 |
21 |
|||
Illustrated postcards to Marie Lawson from Robert Lawson, pen and ink and watercolor on card stock | circa 1917-1918 | 39 |
22 |
|||
Layout for Rabbit Hill house and grounds, crayon and pen and ink on graph paper | 36 |
22 |
||||
Self-portrait, oil paint on canvas | C-19 |
|||||
Sketchbook from Robert Lawson’s deployment in France | circa 1917-1918 | 37 |
1 |
|||
Sketches from Robert Lawson’s deployment in France | circa 1917-1918 | 37 |
2 |
|||
Press clippings | 1900-1956 | |||||
Awards and Honors | 1941-1955 | 41 |
1 |
|||
Ben and Me | 1939 | 41 |
2 |
|||
Biographical materials and career overviews | 1900-1956 | 41 |
3 |
|||
Captain Kidd's Cat | circa 1956 | 41 |
4 |
|||
Clippings related to Lawson's etchings | 1920-1938 | 41 |
5 |
|||
Country Colic | circa 1944 | 41 |
6 |
|||
The Fabulous Flight | 1949 | 41 |
7 |
|||
I Discover Columbus | circa 1941 | 41 |
8 |
|||
Mr. Revere and I | circa 1953-1954 | 41 |
9 |
|||
Mr. Wilmer | circa 1945 | 41 |
10 |
|||
Rabbit Hill | circa 1944 | 41 |
11 |
|||
Robbut | circa 1948 | 41 |
12 |
|||
The Story of Ferdinand | circa 1936-1939 | 41 |
13-15 |
|||
They Were Strong and Good | 1940-1941 | 41 |
16 |
|||
This Week
This Week was the magazine section of the
New York Herald-Tribune. Issue includes illustrations by Robert Lawson.
|
1936 February 16 | 37 |
8 |
|||
Watchwords of Liberty | 1943 | 41 |
17 |
|||
Wee Gillis | circa 1938 | 41 |
18 |
|||
Promotional Materials | 1922-1957 | |||||
The Horn Book, 2 items | 1945, 1957 | 39 |
23 |
|||
Little, Brown and Company materials relating to the promotion of Ben and Me | circa 1939 | 39 |
24 |
|||
Rabbit Hill, poster for NBC telecast | 1967 | 37 |
7 |
|||
The Story of Ferdinand | circa 1936-1980 | 39 |
25 |
|||
Viking Press materials | circa 1936-1957 | 39 |
26 |
|||
The Wonderful Adventures of Little Prince Toofat, jigsaw puzzle | circa 1922 | 37 |
6 |
|||
Young Wings, 5 items
Youngs Wings was a monthly magazine put out by the Junior Literary Guild book club.
|
1944-1954 | 39 |
27 |
|||
Short Stories | 1910-1957 | |||||
"Crab Ravigote," typescript | circa 1910-1957 | 40 |
12 |
|||
"The Curse," carbon copy | circa 1920-1925 | 40 |
13 |
|||
"The Fairy Calendar," typescript with manuscript additions | circa 1910-1957 | 40 |
14 |
|||
"I Saw a Ship A-Sailing," calligraphic manuscript | circa 1910-1957 | 40 |
15 |
|||
"In the House of the Mole," typescript and corrected carbon copy | circa 1910-1957 | 40 |
16 |
|||
"Of a Land and a Wall," typescript | circa 1910-1957 | 40 |
17 |
|||
"The Peanut Man," typescript and carbon copy | circa 1910-1957 | 40 |
18 |
|||
"The Postman's Whistle," typescript and carbon copy | circa 1910-1957 | 40 |
19 |
|||
"The Silver Leopard," typescript The folder for "The Silver Leopard" includes correspondence relating to its acquisition
and to a related collection at the University of Southern Mississippi. It also includes
a slide of Robert Lawson's proposed cover art for the story, were it to have been
printed.
|
circa 1916-1920 | 40 |
20 |
|||
"Southern-Fried Chicken - New England Style," typescript | circa 1910-1957 | 40 |
21 |
|||
"That's Right," corrected typescript | circa 1910-1957 | 40 |
22 |
|||
"The Vanished Sounds," manuscript outline, typescript, and carbon copy | circa 1910-1957 | 40 |
23 |
|||
"Walpole and the Two Things," carbon copy | circa 1910-1957 | 40 |
24 |
|||
Speeches | ||||||
Bad Books for Children, corrected typescript | circa 1944-1956 | 39 |
28 |
|||
BBC Children's Hour introduction to "Rabbit Hill" broadcast, corrected typescript and carbon copy | 1946 May | 39 |
29 |
|||
Books for Bonds rally speech, manuscript draft | circa 1943 | 39 |
30 |
|||
Bridgeport, Connecticut Book Week speech, typescript with manuscript additions | 1946 | 39 |
31 |
|||
Caldecott Medal acceptance speech, typescript with manuscript additions | 1941 June 20 | 39 |
32 |
|||
Children and the Library, corrected typescript | circa 1930-1957 | 39 |
33 |
|||
Cleveland Library speech, corrected typescript and revised typescript | 1939 September | 39 |
34 |
|||
Cleveland Library speech, corrected typescript | 1940 October | 39 |
35 |
|||
Little, Brown & Co. sales conference address, corrected typescript | 1941 April | 39 |
36 |
|||
Newbery Medal acceptance speech, corrected typescript | 1945 June 9 | 39 |
37 |
|||
Newbery Medal radio acceptance speech, corrected typescript | 1945 June 9 | 39 |
38 |
|||
New York State Library Association speech, manuscript draft | circa 1936-1939 | 39 |
39 |
|||
New York State Library Association speech, corrected typescript | 1940 December | 39 |
40 |
|||
"Rabbit Hill and They Were Strong and Good," typescript | circa 1940-1945 | 39 |
41 |
|||
Untitled speech excerpt regarding the need for children's books during wartime, corrected typescript | circa 1942 | 39 |
42 |
|||
Untitled speech to Westport, Connecticut children, typescript | circa 1944-1957 | 39 |
43 |
|||
Photographs, slides, and sound recordings | ||||||
Cabinet card photograph of Marie Lawson | 1908 | 42 |
2 |
|||
Contact prints and negatives reprinted by the Free Library in 1975, 76 items | 42 |
3-4 |
||||
Hand-colored platinotype of Marie Lawson | circa 1900 | 42 |
5 |
|||
Lawson family photo album, 99 items These photographs have been removed from the album and rehoused preserving original
order.
|
circa 1914-1956 | 42 |
6-7 |
|||
Negatives and contact prints, 44 items | circa 1922-1975 | 43 |
1-11 |
|||
Publicity photographs | ||||||
Marie Lawson, 5 items | circa 1920-1940 | 44 |
1-2 |
|||
Publicity photographs for The Story of Ferdinand, 9 items | circa 1936-1939 | 44 |
3 |
|||
Publicity photographs for They Were Strong and Good, 2 items | circa 1941 | 44 |
4 |
|||
Robert Lawson, 26 items | circa 1920-1957 | 44 |
5-9 |
|||
Rabbit Hill | ||||||
Cats at Rabbit Hill, 8 items | circa 1936-1957 | 42 |
8 |
|||
Garden, 29 items | 1953-1956 | 42 |
9 |
|||
House and grounds, 30 items | circa 1936-1957 | 42 |
10 |
|||
Rabbit Hill under construction, 4 items | circa 1936 | 42 |
11 |
|||
Slides With the exception of the slide box with partial index, these slides have been removed
from their original boxes and rehoused preserving original order.
|
||||||
Nantucket, 22 items | 1940 July | 43 |
12-13 |
|||
Rabbit Hill, 1941 part 1, 22 items | 1941 March | 43 |
14-15 |
|||
Rabbit Hill, 1941 part 2, 18 items | 1941 March | 43 |
16 |
|||
Rabbit Hill, 1947 part 1, 16 items | 1947 June | 43 |
17 |
|||
Rabbit Hill, 1947 part 2, 17 items | 1947 September | 43 |
18 |
|||
Rabbit Hill, 1953, 21 items | 1953 May | 43 |
19-20 |
|||
Rabbit Hill, circa 1940-1957, 14 items | circa 1940-1957 | 43 |
21 |
|||
Quebec, part 1, 19 items | 1947 September | 43 |
22 |
|||
Quebec, part 2, 15 items | 1947 September | 43 |
23 |
|||
Williamsburg and around Staunton, 20 items | 1947 October | 43 |
24 |
|||
Williamsburg, Governor's Palace Garden, 18 items | 1947 October | 43 |
25 |
|||
Williamsburg, 1948, 20 items | 1948 January | 43 |
26 |
|||
Slide box with partial index, 150 items | 47 |
|||||
Sound recordings, 5 items This file includes two 78 RPM records: the first is a voice-and-song children's recording
of Walt Disney's "Ferdinand the Bull" adaptation released by Golden Record in 1950;
the second record includes an excerpt from the Rudy Vallee program on November 24,
1938 of Sterlin Holloway reciting
The Story of Ferdinand. There are also two CDs created by the Free Library in 2003 which include reformatted
versions of the above records as well as an additional Rudy Vallee program excerpt
and converted reel-to-reel interviews of Munro Leaf and publisher May Massee. The
fifth item is a 1971 vinyl recording of Gwen Verdon reading
The Story of Ferdinand and
Wee Gillis.
|
1938-1971 | 37 |
||||
"They Were Strong and Good," filmstrip, cassette tape, and two copies of filmstrip text | 1940 | 48 |
||||
Illustrations | ||||||
Adam of the Road | 1942 | |||||
Preliminary art | ||||||
Preliminary art for book jacket and spine, gouache, graphite, pen and ink, and watercolor on board | 26 |
1 |
||||
Preliminary art for title page, graphite and pen and ink on board | 26 |
2 |
||||
Final art | ||||||
Final art for book jacket and spine, gouache, graphite, pen and ink, and watercolor on board | 34 |
1 |
||||
Design for binding stamp, pen and ink on board | 26 |
3 |
||||
Final art for endpapers, gouache and pen and ink on paper | 34 |
2 |
||||
Final art for page 19, pen and ink on board | 26 |
4 |
||||
"Chap. 4. The Road," page 41, pen and ink on board | 26 |
5 |
||||
"Chap. 5. Going to London," page 53, pen and ink on board | 26 |
6 |
||||
"Chap. 6. A Blush of Boys," page 67, pen and ink on board | 26 |
7 |
||||
"Chap. 7. Jankin," page 81, pen and ink on board | 26 |
8 |
||||
"Chap. 8. Red in the Morning," page 93, pen and ink on board | 26 |
9 |
||||
"Chap. 9. Night in Westhumble Lane," page 106, pen and ink on paper | 26 |
10 |
||||
"Chap. 10. Here, Nick!" page 123, pen and ink on paper | 26 |
11 |
||||
"Chap. 11. Adam Swims the Wey," page 137, pen and ink on paper | 26 |
12 |
||||
"Chap. 12. The Ferryman's House," page 147, pen and ink on paper | 26 |
13 |
||||
"Chap. 13. Arrows in the King's Forest," page 161, pen and ink on paper | 26 |
14 |
||||
"Chap. 14. Adam to the Rescue," page 175, pen and ink on paper | 26 |
15 |
||||
"Chap. 15. Saint Giles's Fair," page 191, pen and ink on paper | 26 |
16 |
||||
"Chap. 16. The Fall of Adam," page 207, pen and ink on paper | 26 |
17 |
||||
"Chap. 17. Adam Meets some Minstrels," page 215, pen and ink on board | 26 |
18 |
||||
"Chap. 18. Hue and Cry," page 233, pen and ink on board | 26 |
19 |
||||
"Chap. 19. News of Roger," page 249, pen and ink on board | 26 |
20 |
||||
"Chap. 20. 'What have you done with him?'" page 263, pen and ink on board | 26 |
21 |
||||
"Chap. 21. Adam's Song," page 277, pen and ink on board | 26 |
22 |
||||
"Chap. 23. Loud Sing Cuckoo!" page 305, pen and ink on board | 26 |
23 |
||||
Unpublished illustration of a man and a boy, pen and ink on board | 26 |
24 |
||||
Aesop's Fables | 1941 | |||||
Preliminary art | ||||||
Preliminary art for endpapers, graphite and watercolor on board | 25 |
1 |
||||
Preliminary art for pages 6 and 7, graphite and watercolor on board | 25 |
2 |
||||
Final art | ||||||
Final art for spot illustrations, pen and ink on board, 2 sheets | 4 |
1-2 |
||||
Final art for page 6, pen and ink on board | 4 |
3 |
||||
Final art for page 9, pen and ink on board | 4 |
4 |
||||
Final art for page 13, pen and ink on board | 4 |
5 |
||||
Final art for page 27, pen and ink on board | 4 |
6 |
||||
Final art for page 34, pen and ink on board | 4 |
7 |
||||
Final art for page 40, pen and ink on board | 4 |
8 |
||||
Final art for page 45, pen and ink on board | 4 |
9 |
||||
Final art for page 49, pen and ink on board | 4 |
10 |
||||
Final art for page 67, pen and ink on board | 4 |
11 |
||||
Final art for page 81, pen and ink on board | 4 |
12 |
||||
Final art for page 85, pen and ink on paper | 4 |
13 |
||||
Final art for page 97, pen and ink on board | 4 |
14 |
||||
Final art for page 100, pen and ink on board | 4 |
15 |
||||
Final art for page 113, pen and ink on board | 4 |
16 |
||||
Final art for page 116, pen and ink on paper | 4 |
17 |
||||
Final art for page 121, pen and ink on board | 4 |
18 |
||||
Final art for page 125, pen and ink on paper | 4 |
19 |
||||
Final art for page 133, pen and ink on paper | 4 |
20 |
||||
At That Time | 1947 | |||||
Final art for book jacket and spine, collage of cut paper, gouache, and pen and ink on paper | 35 |
1 |
||||
"Foreword Kittens Into Cats," page 9, graphite and pen and ink on board | 10 |
1 |
||||
"-Or in the Heart or in the Head," page 13, graphite and pen and ink on paper | 10 |
2 |
||||
"Flagellants and Penitentes," page 25, graphite and pen and ink on paper | 10 |
3 |
||||
"The Perennial Urge," page 55, graphite and pen and ink on paper | 10 |
4 |
||||
"The Gawk Eros," page 89, graphite and pen and ink on paper | 10 |
5 |
||||
Ben and Me | 1939 | |||||
Preliminary art | ||||||
Preliminary art for book jacket and spine for first edition, gouache and pen and ink on board | 35 |
2 |
||||
Preliminary art for title pages, pen and ink on board | 35 |
3 |
||||
Final art | ||||||
Final art for book jacket and spine for 1951 edition, gouache, graphite, pen and ink, and watercolor on paper | 24 |
6 |
||||
Final art for book jacket lettering for 1951 edition, gouache and pen and ink on tracing paper | 24 |
1 |
||||
Final art for front binding stamp, pen and ink on board | 24 |
2 |
||||
"Foreword," page v, pen and ink on board | 24 |
7 |
||||
Final art for page 6, pen and ink on board | 24 |
3 |
||||
Final art for page 7, pen and ink on board mounted to board | 24 |
8 |
||||
"Chapter Three, the Bargain," page 17, graphite and pen and ink on board | 24 |
9 |
||||
Final art for page 21, pen and ink on board | 24 |
10 |
||||
Final art for pages 28 and 29, pen and ink on board | 35 |
4 |
||||
Final art for pages 36 and 37, pen and ink on board | 35 |
5 |
||||
"Chapter 6, Electricity," page 39, graphite and pen and ink on board | 24 |
11 |
||||
Final art for page 41, pen and ink on board | 24 |
4 |
||||
Final art for page 42, pen and ink on board | 24 |
12 |
||||
Final art for page 47, pen and ink on board | 24 |
13 |
||||
Final art for page 49, pen and ink on board | 24 |
13 |
||||
Final art for pages 64 and 65, pen and ink on board | 35 |
6 |
||||
Final art for page 82, pen and ink on board | 24 |
15 |
||||
Final art for page 88, pen and ink on board | 24 |
5 |
||||
"Chapter 15, Happy Birthday!," page 109, graphite and pen and ink on board | 24 |
16 |
||||
Unpublished illustration of a mouse with a flag, pen and ink on board | 24 |
17 |
||||
Captain Kidd's Cat | 1956 | |||||
Preliminary art | ||||||
Earlier version of preliminary art for title page, graphite on tracing paper | 29 |
12 |
||||
Later version of preliminary art for title page, collage of cut paper and pen and ink on board | 29 |
1 |
||||
Final art | ||||||
Final art for book jacket and spine, collage of cut paper, colored pencil, gouache, graphite, pen and ink, and watercolor on board | 34 |
3 |
||||
Final art for endpapers, pen and ink on paper | 34 |
4 |
||||
"Color Background for Endpaper Map," watercolor on board | 34 |
5 |
||||
Final art for page 5, pen and ink on paper | 29 |
2 |
||||
Final art for page 7, pen and ink on paper | 29 |
3 |
||||
Final art for page 9, pen and ink on board | 29 |
13 |
||||
Final art for page 13, pen and ink on paper | 29 |
14 |
||||
Final art for page 18, pen and ink on paper | 29 |
15 |
||||
Final art for page 19, pen and ink on paper | 29 |
16 |
||||
Final art for page 25, pen and ink on paper | 29 |
17 |
||||
Final art for page 30, pen and ink on paper | 29 |
4 |
||||
Final art for page 31, pen and ink on paper | 29 |
18 |
||||
Final art for page 33, pen and ink on paper | 29 |
5 |
||||
Final art for page 36, pen and ink on paper | 29 |
19 |
||||
Final art for page 39, pen and ink on paper | 29 |
6 |
||||
Final art for page 40, pen and ink on paper | 29 |
20 |
||||
Final art for page 41, pen and ink on paper | 29 |
21 |
||||
Final art for page 42, pen and ink on paper | 29 |
7 |
||||
Final art for page 45, pen and ink on paper | 29 |
22 |
||||
Final art for page 49, pen and ink on paper | 29 |
23 |
||||
Final art for page 52, pen and ink on paper | 29 |
24 |
||||
Final art for page 53, pen and ink on paper | 29 |
25 |
||||
Final art for page 56, pen and ink on paper | 29 |
26 |
||||
Final art for page 58, pen and ink on paper | 29 |
27 |
||||
Final art for page 62, pen and ink on paper | 29 |
28 |
||||
Final art for page 63, pen and ink on paper | 29 |
29 |
||||
Final art for page 64, pen and ink on paper | 29 |
30 |
||||
Final art for page 75, pen and ink on paper | 29 |
31 |
||||
Final art for page 77, pen and ink on paper | 29 |
8 |
||||
Final art for page 78, pen and ink on paper | 29 |
32 |
||||
Final art for page 79, pen and ink on paper | 29 |
33 |
||||
Final art for page 83, pen and ink on paper | 29 |
34 |
||||
Final art for page 87, pen and ink on paper | 29 |
9 |
||||
Final art for page 90, pen and ink on paper | 29 |
10 |
||||
Final art for page 92, pen and ink on paper | 29 |
11 |
||||
Final art for page 101, pen and ink on paper | 29 |
35 |
||||
Final art for page 104, pen and ink on paper | 30 |
1 |
||||
Final art for page 109, pen and ink on paper | 30 |
2 |
||||
Final art for page 111, pen and ink on paper | 30 |
3 |
||||
Final art for page 117, pen and ink on paper | 30 |
4 |
||||
Final art for page 121, pen and ink on paper | 30 |
5 |
||||
Final art for page 125, pen and ink on board | 30 |
6 |
||||
Final art for page 129, pen and ink on paper | 30 |
7 |
||||
Final art for page 136, pen and ink on paper | 30 |
8 |
||||
Final art for page 137, pen and ink on paper | 30 |
9 |
||||
Final art for page 139, pen and ink on paper | 30 |
10 |
||||
Final art for page 140, pen and ink on paper | 30 |
11 |
||||
Final art for page 141, pen and ink on paper | 30 |
12 |
||||
Final art for page 144, pen and ink on paper | 30 |
13 |
||||
Final art for page 149, pen and ink on paper | 30 |
14 |
||||
Final art for page 151, pen and ink on board | 30 |
15 |
||||
Country Colic | 1944 | |||||
Preliminary art | ||||||
Preliminary art for book jacket, gouache and pen and ink on paper | 7 |
1 |
||||
Final art | ||||||
Final art for endpapers, pen and ink on board | 35 |
7 |
||||
Final art for page 1, pen and ink on board | 7 |
2 |
||||
Final art for page 3, pen and ink on board | 7 |
3 |
||||
Final art for page 5, pen and ink on board | 7 |
4 |
||||
Final art for page 7, pen and ink on board | 7 |
5 |
||||
Final art for page 11, pen and ink on board | 7 |
6 |
||||
Final art for page 12, pen and ink on board | 7 |
7 |
||||
Final art for pages 13 and 22, pen and ink on board | 7 |
8 |
||||
Final art for page 15, pen and ink on board | 7 |
9 |
||||
Final art for page 19, pen and ink on board | 7 |
10 |
||||
Final art for page 21, pen and ink on board | 7 |
11 |
||||
Final art for page 25, pen and ink on board | 7 |
12 |
||||
Final art for page 26, pen and ink on board | 7 |
13 |
||||
Final art for page 31, pen and ink on board | 7 |
14 |
||||
Final art for page 33, pen and ink on board | 7 |
15 |
||||
Final art for pages 35 and 39, pen and ink on board | 7 |
16 |
||||
Final art for page 41, pen and ink on board | 7 |
17 |
||||
Final art for pages 43 and 47, pen and ink on board | 7 |
18 |
||||
Final art for page 49, pen and ink on board | 7 |
19 |
||||
Final art for pages 51 and 54, pen and ink on board | 7 |
20 |
||||
Final art for page 53, pen and ink on board | 7 |
21 |
||||
Final art for page 57, pen and ink on board | 7 |
22 |
||||
Final art for page 61, pen and ink on board | 7 |
23 |
||||
Final art for page 65, pen and ink on board | 7 |
24 |
||||
Final art for pages 67 and 68, pen and ink on board | 7 |
25 |
||||
Final art for page 69, pen and ink on board | 7 |
26 |
||||
Final art for back book jacket, pen and ink on board | 7 |
27 |
||||
Unpublished illustrations, pen and ink on board, 5 sheets | 7 |
28-32 |
||||
The Crock of Gold | 1942 | |||||
Final art for half-title page, pen and ink on board | 16 |
1 |
||||
Final art for title page, pen and ink on board | 16 |
2 |
||||
"Decorations for chapter heads," pen and ink on board | 16 |
3 |
||||
Final art for pages 4 and 5, pen and ink on paper | 34 |
6 |
||||
Final art for page 6, pen and ink on board | 27 |
1 |
||||
Final art for page 7, pen and ink on board | 27 |
2 |
||||
Final art for page 11, pen and ink on board | 27 |
3 |
||||
Final art for pages 14/33, pen and ink on board | 27 |
4 |
||||
Final art for page 16, pen and ink on board | 16 |
4 |
||||
Final art for page 18, pen and ink on board | 16 |
5 |
||||
Final art for page 21, pen and ink on board | 16 |
6 |
||||
Final art for page 22, pen and ink on board | 17 |
7 |
||||
Final art for page 25, pen and ink on board | 16 |
8 |
||||
Final art for page 29, pen and ink on board | 16 |
9 |
||||
Final art for page 39, pen and ink on board | 16 |
10 |
||||
Final art for page 41, pen and ink on board | 16 |
11 |
||||
Final art for page 45, pen and ink on board | 27 |
5 |
||||
Final art for page 47, pen and ink on board | 16 |
12 |
||||
Final art for page 48, pen and ink on board | 16 |
13 |
||||
Final art for page 49, pen and ink on board | 27 |
6 |
||||
Final art for page 50, pen and ink on board | 34 |
7 |
||||
Final art for page 53, pen and ink on board | 27 |
7 |
||||
Final art for page 55, pen and ink on board | 16 |
14 |
||||
Final art for page 57, pen and ink on board | 27 |
8 |
||||
Final art for page 59, pen and ink on board | 16 |
15 |
||||
Final art for page 62, pen and ink on board | 27 |
9 |
||||
Final art for page 66, pen and ink on board | 27 |
10 |
||||
Final art for page 69, pen and ink on board | 27 |
11 |
||||
Final art for page 71, pen and ink on board | 27 |
12 |
||||
Final art for page 73, pen and ink on board | 27 |
13 |
||||
Final art for pages 74 and 75, pen and ink on board | 34 |
8 |
||||
Final art for page 76, pen and ink on board | 16 |
16 |
||||
Final art for page 80, pen and ink on board | 16 |
17 |
||||
Final art for page 81, pen and ink on board | 16 |
18 |
||||
Final art for page 83, pen and ink on board | 27 |
14 |
||||
Final art for pages 84 and 85, pen and ink on board | 34 |
9 |
||||
Final art for page 91, pen and ink on board | 27 |
15 |
||||
Final art for page 93, pen and ink on board | 27 |
16 |
||||
Final art for page 95, pen and ink on board | 27 |
17 |
||||
Final art for page 99, pen and ink on board | 27 |
18 |
||||
Final art for page 101, pen and ink on board | 16 |
19 |
||||
Final art for page 102, pen and ink on board | 16 |
20 |
||||
Final art for page 103, pen and ink on board | 27 |
19 |
||||
Final art for pages 104 and 105, pen and ink on board | 34 |
10 |
||||
Final art for page 108, pen and ink on board | 27 |
20 |
||||
Final art for page 111, pen and ink on board | 27 |
21 |
||||
Final art for page 119, pen and ink on board | 27 |
22 |
||||
Final art for page 125, pen and ink on board | 27 |
23 |
||||
Final art for pages 128/129/130/131, pen and ink on board | 27 |
24 |
||||
Final art for pages 132/133/134/135/136, pen and ink on board | 27 |
25 |
||||
Final art for page 138, pen and ink on board | 16 |
21 |
||||
Final art for page 139, pen and ink on board | 27 |
26 |
||||
Final art for pages 140 and 141, pen and ink on board | 34 |
11 |
||||
Final art for page 147, pen and ink on board | 27 |
27 |
||||
Final art for page 148, pen and ink on board | 27 |
28 |
||||
Final art for page 157, pen and ink on board | 27 |
29 |
||||
Final art for pages 162 and 163, pen and ink on board | 34 |
12 |
||||
The Designer and the Woman's Magazine | ||||||
Illustration of a man hunting and a woman sheltering the animals, page proof mounted to board | 1920 November | 36 |
1 |
|||
“Money in My Socks Says Pat O’Brien Go Jingle ‘Em an' See,” gouache and pen and ink on board | 1921 | 36 |
2 |
|||
Rootabaga Stories Includes four of the illustrations produced to accompany the
Designer serialization of Carl Sandburg's "Rootabaga Stories."
|
1922 | |||||
“How to Break Away and Go to the Rootabaga Country,” pen and ink on paper | 36 |
3 |
||||
“How the Five Rusty Rats Helped Find a New Village,” collage of cut paper, gouache, and pen and ink on paper | 36 |
4 |
||||
“More Stories About the Potato Face Blind Man,” collage of cut paper and pen and ink on paper | 36 |
5 |
||||
"The Story of Jason Squiff and Why He Had a Popcorn Hat, Popcorn Mittens and Popcorn Shoes," pen and ink on paper | 36 |
6 |
||||
Dick Whittington & His Cat | 1949 | |||||
Final art | ||||||
Final art for endpapers, pen and ink on board | 34 |
13 |
||||
Illustration of a cat with jewels, final art for title page, gouache, pen and ink, and watercolor on paper | 28 |
1 |
||||
Final art for page 5, pen and ink and watercolor on paper | 28 |
2 |
||||
Final art for page 9, graphite, pen and ink, and watercolor on paper | 28 |
3 |
||||
Final art for page 10, pen and ink and watercolor on paper | 28 |
4 |
||||
Final art for page 11, pen and ink and watercolor on paper | 28 |
5 |
||||
Final art for page 13, pen and ink and watercolor on paper | 28 |
6 |
||||
Final art for pages 14 and 15, pen and ink and watercolor on paper | 34 |
14 |
||||
Final art for page 16, gouache, pen and ink, and watercolor on paper | 28 |
7 |
||||
Final art for page 17, gouache, pen and ink, and watercolor on paper | 28 |
8 |
||||
Final art for page 21, pen and ink and watercolor on paper | 28 |
9 |
||||
Final art for page 23, pen and ink and watercolor on paper | 28 |
10 |
||||
Final art for page 24, pen and ink and watercolor on paper | 28 |
11 |
||||
Final art for page 25, pen and ink and watercolor on paper | 28 |
12 |
||||
Final art for pages 26 and 27, pen and ink and watercolor on paper | 34 |
15 |
||||
Final art for page 28, pen and ink and watercolor on paper | 28 |
13 |
||||
Final art for page 30, pen and ink and watercolor on paper | 28 |
14 |
||||
Final art for page 31, pen and ink and watercolor on paper | 28 |
15 |
||||
Final art for page 32, pen and ink and watercolor on paper | 28 |
16 |
||||
Final art for page 33, pen and ink and watercolor on paper | 28 |
17 |
||||
Final art for page 34, pen and ink and watercolor on paper | 28 |
18 |
||||
Final art for page 35, gouache, pen and ink, and watercolor on paper | 28 |
19 |
||||
Final art for page 36, gouache, pen and ink, and watercolor on paper | 28 |
20 |
||||
Final art for page 37, gouache, pen and ink, and watercolor on paper | 28 |
21 |
||||
Unpublished illustration of Dick Whittington in a stable, pen and ink and watercolor on paper | 28 |
22 |
||||
Unpublished illustration of Dick Whittington in the town square, pen and ink and watercolor on paper | 34 |
16 |
||||
Drums of Monmouth | 1936 | |||||
Final art for page 1, pen and ink on board | 20 |
1 |
||||
Final art for page 125, pen and ink on board | 20 |
2 |
||||
Edward, Hoppy and Joe | 1952 | |||||
Final art for endpapers, graphite on board | 34 |
17 |
||||
Final art for page 14, charcoal, graphite, and opaque white on board | 30 |
16 |
||||
Final art for page 21, graphite and opaque white on board | 30 |
17 |
||||
Final art for page 42, charcoal, graphite, and opaque white on board | 30 |
18 |
||||
Final art for page 75, graphite and opaque white on paper | 30 |
19 |
||||
Final art for page 87, charcoal, graphite, and opaque white on board | 30 |
20 |
||||
Final art for page 101, graphite and opaque white on board | 30 |
21 |
||||
The Fabulous Flight | 1949 | |||||
Final art for endpapers, pen and ink on board | 34 |
18 |
||||
Final art for table of contents, pen and ink on board | 11 |
1 |
||||
Final art for page 3, pen and ink on board | 11 |
2 |
||||
Final art for page 7, pen and ink on board | 11 |
3 |
||||
Final art for page 11, pen and ink on board | 11 |
4 |
||||
Final art for page 15, pen and ink on board | 11 |
5 |
||||
Final art for page 19, pen and ink on board | 11 |
6 |
||||
Final art for pages 32 and 33, pen and ink on board | 30 |
22 |
||||
Final art for page 39, pen and ink on board | 11 |
7 |
||||
Final art for page 45, pen and ink on board | 11 |
8 |
||||
Final art for page 55, pen and ink on board | 11 |
9 |
||||
Final art for page 59, pen and ink on board | 11 |
10 |
||||
Final art for pages 62 and 63, pen and ink on board | 30 |
23 |
||||
Final art for page 65, pen and ink on board | 11 |
11 |
||||
Final art for page 67, pen and ink on board | 11 |
12 |
||||
Final art for page 68, pen and ink on board | 11 |
13 |
||||
Final art for pages 70 and 71, pen and ink on board | 30 |
24 |
||||
Final art for page 75, pen and ink on board | 11 |
14 |
||||
Final art for pages 82 and 83, pen and ink on board | 30 |
25 |
||||
Final art for pages 86 and 87, pen and ink on board | 30 |
26 |
||||
Final art for page 88, pen and ink on board | 11 |
15 |
||||
Final art for page 91, pen and ink on board | 11 |
16 |
||||
Final art for page 93, pen and ink on board | 11 |
17 |
||||
Final art for page 97, pen and ink on board | 11 |
18 |
||||
Final art for page 102, pen and ink on board | 11 |
19 |
||||
Final art for page 105, pen and ink on board | 11 |
20 |
||||
Final art for page 109, pen and ink on board | 11 |
21 |
||||
Final art for page 111, pen and ink on board | 11 |
22 |
||||
Final art for page 118, pen and ink on board | 11 |
23 |
||||
Final art for page 121, pen and ink on board | 11 |
24 |
||||
Final art for page 123, pen and ink on board | 11 |
25 |
||||
Final art for page 125, pen and ink on board | 11 |
26 |
||||
Final art for page 133, pen and ink on board | 11 |
27 |
||||
Final art for pages 138 and 139, pen and ink on board | 27 |
27 |
||||
Final art for pages 146 and 147, pen and ink on board | 27 |
28 |
||||
Final art for page 152, pen and ink on board | 11 |
28 |
||||
Four & Twenty Blackbirds | 1937 | |||||
Preliminary art | ||||||
Preliminary art for endpapers, graphite, pen and ink, and watercolor on paper | 21 |
24 |
||||
Final art | ||||||
Final art for book jacket and spine, gouache and pen and ink on board | 21 |
25 |
||||
Final art for endpapers, gouache and pen and ink on board | 21 |
26 |
||||
Final art for title page, gouache and pen and ink on board | 35 |
8 |
||||
"The Old Crow," spot illustration for table of contents, page 9, pen and ink on board | 21 |
1 |
||||
"Dame Trot," "Rufflecumtuffle," and "Bumble Bug," spot illustrations for table of contents, pages 9 and 10, pen and ink on board | 21 |
2 |
||||
"Foreword," page 11, pen and ink on board | 21 |
27 |
||||
"Sing a Song of Sixpence," page 15, pen and ink on board | 21 |
28 |
||||
"Little Dame Crump," page 20, collage of cut paper and pen and ink on board | 21 |
3 |
||||
"Merry Green Fields," page 21, pen and ink on board | 21 |
4 |
||||
"Merry Green Fields of England," page 23, gouache and pen and ink on board | 21 |
29 |
||||
Final art for page 27, pen and ink on board | 21 |
5 |
||||
"The Ragman," page 32, pen and ink on board | 21 |
6 |
||||
"Joe Dobson," page 35, gouache and pen and ink on board | 21 |
30 |
||||
Final art for page 37, pen and ink on board | 21 |
7 |
||||
"Poor Lady Dumpling," page 39, gouache and pen and ink on board | 21 |
31 |
||||
"Old Mother Tabbyskins," page 41, pen and ink on board | 21 |
8 |
||||
"Mother Tabbyskins," page 42, pen and ink on board | 21 |
9 |
||||
Final art for page 44, pen and ink on board | 21 |
10 |
||||
"Frog Went A-Courting," page 47, pen and ink on board | 21 |
11 |
||||
Final art for page 50, gouache and pen and ink on board | 21 |
32 |
||||
"Keys of Heaven," page 51, pen and ink on board | 21 |
12 |
||||
"Come Hither," page 61, gouache and pen and ink on board | 21 |
33 |
||||
"Old Crummels [sic]," page 64, gouache and pen and ink on board | 21 |
34 |
||||
"Old Crummles [sic]," page 65, pen and ink on board | 21 |
13 |
||||
"Jim Finley's Pig," page 67, pen and ink on board | 21 |
14 |
||||
"Hooty - 1," top of page 71, pen and ink on board | 21 |
15 |
||||
"Hooty - 2," bottom of page 71, pen and ink on board | 21 |
16 |
||||
"Hooty - 3," page 73, pen and ink on board | 21 |
17 |
||||
Final art for pages 74 and 75, pen and ink on board | 21 |
35 |
||||
"Hooty - 5," page 76, pen and ink on board | 21 |
18 |
||||
Final art for page 79, pen and ink on board | 21 |
19 |
||||
"Little Red Hen - 1," page 81, pen and ink on board | 21 |
20 |
||||
Final art for page 85, pen and ink on board | 21 |
21 |
||||
"Bumble Bug & Bumble Bee," page 89, gouache and pen and ink on board | 21 |
36 |
||||
"Cluck Cluck," page 93, pen and ink on board | 21 |
22 |
||||
Final art for page 99, pen and ink on board | 21 |
23 |
||||
From the Horn of the Moon | 1931 | |||||
Final art for cover, pen and ink on paper | 34 |
19 |
||||
Final art for endpapers, pen and ink on paper | 34 |
20 |
||||
Final art for title page, pen and ink on paper | 17 |
1 |
||||
"The Moving of the Bog," page 1, pen and ink on paper | 17 |
2 |
||||
"And Both Then Supped in Silence," page 7, pen and ink on paper | 17 |
3 |
||||
Final art for pages 17 and 163, pen and ink on board | 34 |
21 |
||||
Final art for page 24, pen and ink on paper | 17 |
4 |
||||
Final art for page 25, pen and ink on paper | 17 |
5 |
||||
"Old Clarey Looked Down at the Bog," page 48, pen and ink on paper | 17 |
6 |
||||
"Over the Brow of Murray's Brae," page 57, pen and ink on paper | 17 |
7 |
||||
"The Keeper of the Casks of Time," page 70, pen and ink on paper | 17 |
8 |
||||
"Then Up Went the Bog," page 79, pen and ink on board | 17 |
9 |
||||
Final art for page 89, pen and ink on board | 17 |
10 |
||||
"Willie the Wagger," page 93, pen and ink on board | 17 |
11 |
||||
"Larry... Lit His Pipe and Pondered," page 95, pen and ink on paper | 17 |
12 |
||||
"The Cockle Gatherer Was a Wee Man with a Pink Nose and Flat Feet," page 103, pen and ink on board | 17 |
13 |
||||
"Rock Cod!" pages 114 and 115, pen and ink on paper | 17 |
14 |
||||
"Away He Swam for the Lighthouse," page 121, pen and ink on paper | 17 |
15 |
||||
"But Not a Fish Could They Catch," page 124, pen and ink on paper | 17 |
16 |
||||
"It's True; His Nose Is Purple," page 141, pen and ink on paper | 17 |
17 |
||||
"After a While the Clan and the Sheep Began to Tumble Too," page 147, pen and ink on board | 17 |
18 |
||||
"Jimmy Snorted and Jumped Clean Out of His Clogs," page 158, pen and ink on paper | 17 |
19 |
||||
Final art for page 173, pen and ink on paper | 17 |
20 |
||||
"Pigs in the Castle," page 181, pen and ink on paper | 17 |
21 |
||||
"The Chief of the Clan Called for His Cloak," page 183, pen and ink on board | 17 |
22 |
||||
"Danny, Something Has Been in My Crock of Buttermilk," page 213, pen and ink on board | 17 |
23 |
||||
Gaily We Parade | 1940 | |||||
Final art for book jacket and spine, gouache and pen and ink on board | 35 |
9 |
||||
Final art for title page, pen and ink on board | 24 |
18 |
||||
"To the Shops We Go," page 11, pen and ink on board | 24 |
19 |
||||
"These Make a Town," page 21, pen and ink on board | 24 |
20 |
||||
"Relatives All," page 31, pen and ink on board | 24 |
21 |
||||
"At Our House," page 41, pen and ink on board | 24 |
22 |
||||
"Neighbors of Ours," page 51, pen and ink on board | 24 |
23 |
||||
"Beyond Far Blue Hills," page 81, pen and ink on board | 24 |
24 |
||||
"We Are the Music Makers," page 105, pen and ink on board | 35 |
10 |
||||
"Ring-a-Ring o' Fairies," page 113, pen and ink on board | 24 |
25 |
||||
"Some See This and Some See That," page 125, pen and ink on board | 24 |
26 |
||||
"Bells for Christmas Ring," page 157, pen and ink on board | 24 |
27 |
||||
"Funny Folk," page 169, pen and ink on board | 24 |
28 |
||||
"The Dustman Comes," page 185, pen and ink on board | 24 |
29 |
||||
The Golden Horseshoe | 1935 | |||||
Preliminary art | ||||||
Preliminary art for book jacket and spine, gouache, pen and ink, and watercolor on board | 19 |
1 |
||||
Final art | ||||||
Final art for book jacket, pen and ink on paper | 19 |
2 |
||||
Final art for spine, pen and ink on paper | 19 |
3 |
||||
Final art for endpapers, watercolor on paper | 19 |
4 |
||||
Final art for frontispiece, pen and ink on board | 19 |
5 |
||||
Final art for title page, pen and ink on board | 19 |
6 |
||||
Final art for table of contents, pen and ink on paper | 19 |
7 |
||||
Final art for page 9, pen and ink on board | 19 |
8 |
||||
Final art for page 23, pen and ink on paper | 19 |
9 |
||||
Final art for page 30, pen and ink on paper | 19 |
10 |
||||
Final art for page 33, pen and ink on paper | 19 |
11 |
||||
Final art for page 43, pen and ink on paper | 19 |
12 |
||||
Final art for page 55, pen and ink on paper | 19 |
13 |
||||
Final art for page 79, pen and ink on paper | 19 |
14 |
||||
Final art for page 89, pen and ink on board | 19 |
15 |
||||
Final art for page 101, pen and ink on paper | 19 |
16 |
||||
Final art for page 133, pen and ink on board | 19 |
17 |
||||
Final art for page 152, pen and ink on paper | 19 |
18 |
||||
Final art for page 153, pen and ink on board | 19 |
19 |
||||
The Great Wheel | 1957 | |||||
Preliminary art for book jacket, pen and ink and watercolor on board | 13 |
1 |
||||
Greylock and the Robins | 1946 | |||||
Illustration of robin, final art for book jacket, graphite, pen and ink, and watercolor on paper | 9 |
1 |
||||
Final art for page 8, graphite, pen and ink, and watercolor on paper | 9 |
2 |
||||
Final art for page 9, gouache, graphite, and watercolor on paper | 9 |
3 |
||||
Final art for page 11, graphite and watercolor on paper | 9 |
4 |
||||
Final art for pages 12 and 13, graphite, pen and ink, and watercolor on paper | 28 |
23 |
||||
Final art for page 15, graphite and watercolor on paper | 9 |
5 |
||||
Final art for page 16, gouache, graphite, pen and ink, and watercolor on paper | 9 |
6 |
||||
Final art for pages 20 and 21, gouache, graphite, pen and ink, and watercolor on paper | 28 |
24 |
||||
Final art for page 22, gouache, graphite, pen and ink, and watercolor on paper | 9 |
7 |
||||
Final art for page 24, graphite and watercolor on paper | 9 |
8 |
||||
Final art for page 25, graphite, pen and ink, and watercolor on paper | 9 |
9 |
||||
Final art for page 26, gouache, graphite, pen and ink, and watercolor on paper | 9 |
10 |
||||
Final art for top of page 27, gouache, graphite, and watercolor on paper | 9 |
11 |
||||
Final art for bottom of page 27, gouache, graphite, pen and ink, and watercolor on paper | 9 |
12 |
||||
Final art for page 28, graphite and watercolor on paper | 9 |
13 |
||||
Final art for page 29, gouache, graphite, pen and ink, and watercolor on paper | 9 |
14 |
||||
Final art for page 30, gouache, graphite, pen and ink, and watercolor on paper | 9 |
15 |
||||
Haven's End | 1933 | |||||
"The Powaw's Head," page 7, pen and ink on paper | 17 |
24 |
||||
Final art for page 37, pen and ink on paper | 17 |
25 |
||||
"A Dog, a Woman," page 91, pen and ink on paper | 17 |
26 |
||||
"Ships Must Sail," page 123, pen and ink on paper | 17 |
27 |
||||
"Jack's the Lad," page 151, pen and ink on paper | 17 |
28 |
||||
Final art for page 187, pen and ink on paper | 17 |
29 |
||||
"Allegations," page 223, pen and ink on paper | 17 |
30 |
||||
Final art for page 271, pen and ink on paper | 17 |
31 |
||||
Final art for page 303, pen and ink on paper | 17 |
32 |
||||
The Hurdy Gurdy Man | 1933 | |||||
"The Mayor Came, Puffing and Blowing," frontispiece, pen and ink on paper | 18 |
1 |
||||
"The Fat Woman," page 7, pen and ink on paper | 2 |
1 |
||||
"The Baker," page 8, pen and ink on paper | 2 |
2 |
||||
Final art for page 10, pen and ink on paper | 2 |
3 |
||||
Final art for page 11, pen and ink on paper | 2 |
4 |
||||
Final art for page 14, pen and ink on paper | 2 |
5 |
||||
Final art for page 15, pen and ink on paper | 2 |
6 |
||||
"Miss Gay," page 17, pen and ink on paper | 2 |
7 |
||||
Final art for page 19, pen and ink on paper | 18 |
2 |
||||
Final art for page 21, pen and ink on paper | 2 |
8 |
||||
Final art for page 22, pen and ink on paper | 2 |
9 |
||||
Final art for page 23, pen and ink on paper | 2 |
10 |
||||
Final art for page 25, pen and ink on paper | 2 |
11 |
||||
Final art for page 28, pen and ink on paper | 18 |
3 |
||||
Final art for page 29, pen and ink on paper | 2 |
12 |
||||
Final art for page 32, pen and ink on board | 2 |
13 |
||||
Final art for page 33, pen and ink on paper | 2 |
14 |
||||
Final art for page 34, pen and ink on paper | 2 |
15 |
||||
Final art for page 35, pen and ink on paper | 2 |
16 |
||||
Final art for page 37, pen and ink on paper | 2 |
17 |
||||
Final art for page 40, pen and ink on paper | 2 |
18 |
||||
Final art for page 41, pen and ink on paper | 18 |
4 |
||||
Final art for page 43, pen and ink on board | 2 |
19 |
||||
Final art for page 45, pen and ink on board | 2 |
20 |
||||
Final art for page 46, pen and ink on paper | 18 |
5 |
||||
Final art for page 48, pen and ink on paper | 2 |
21 |
||||
Final art for page 49, pen and ink on paper | 2 |
22 |
||||
Final art for page 50, pen and ink on paper | 18 |
6 |
||||
Final art for page 52, pen and ink on paper | 18 |
7 |
||||
Final art for page 53, pen and ink on paper | 18 |
9 |
||||
Final art for page 54, pen and ink on paper | 2 |
23 |
||||
Final art for page 55, pen and ink on board | 2 |
24 |
||||
"Wrapper - back," back cover, pen and ink on paper | 18 |
10 |
||||
I Discover Columbus | 1941 | |||||
Preliminary art | ||||||
Preliminary art for book jacket and spine, collage of cut paper, gouache, pen and ink, and watercolor on paper | 25 |
3 |
||||
Alternate art for book jacket and spine, gouache, pen and ink, and watercolor on board | 25 |
4 |
||||
Final art | ||||||
Final art for title pages, pen and ink on board | 25 |
5 |
||||
Final art for page 16, pen and ink on board | 25 |
6 |
||||
Final art for page 23, pen and ink on board | 25 |
7 |
||||
Just For Fun | 1940 | |||||
Final art | ||||||
Final art for page 10, pen and ink on board | 25 |
8 |
||||
"Auntie Grumble," page 12, pen and ink on board | 25 |
9 |
||||
Final art for page 13, pen and ink on board | 25 |
10 |
||||
Final art for page 16, pen and ink on board | 25 |
11 |
||||
Final art for pages 24 and 25, pen and ink on paper | 25 |
12 |
||||
Cropped final art for page 37, pen and ink on board This item has been cropped and the remainder of the final art for this page is no
longer extant.
|
25 |
13 |
||||
Final art for page 41, pen and ink on board | 25 |
14 |
||||
Final art for page 42, collage of cut paper and pen and ink on paper | 25 |
15 |
||||
Final art for page 47 and cropped final art for bottom of page 56, pen and ink on board, 2 items | 25 |
16 |
||||
Final art for page 53, pen and ink on paper | 25 |
17 |
||||
Final art for page 54, pen and ink on paper | 25 |
18 |
||||
Final art for page 55, pen and ink on paper | 25 |
19 |
||||
Cropped final art for left of page 56, pen and ink on board | 25 |
20 |
||||
Cropped final art for right of page 56, pen and ink on board | 25 |
21 |
||||
Final art for page 58, pen and ink on board | 25 |
22 |
||||
Final art for page 59, pen and ink on board | 25 |
23 |
||||
Cropped final art for page 61, pen and ink on board This item has been cropped and the remainder of the final art for this page is no
longer extant.
|
25 |
24 |
||||
"Jonathan Bing Esq.," unpublished illustration, pen and ink on paper | 25 |
25 |
||||
Unpublished illustration of Jonathan Bing, pen and ink on paper | 25 |
26 |
||||
Unpublished illustration of Jonathan Bing carrying mail, pen and ink on board | 25 |
27 |
||||
The Little Woman Wanted Noise | 1943 | |||||
Final art | ||||||
Final art for title page spot illustration, pen and ink on paper | 6 |
1 |
||||
Final art for page 6, pen and ink on paper | 6 |
2 |
||||
Final art for page 9, pen and ink on paper | 6 |
3 |
||||
Final art for page 11, pen and ink on paper | 6 |
4 |
||||
Final art for page 15, pen and ink on paper | 6 |
5 |
||||
Final art for page 17, pen and ink on paper | 6 |
6 |
||||
Final art for page 19, pen and ink on paper | 6 |
7 |
||||
Final art for page 21, pen and ink on paper | 6 |
8 |
||||
Final art for page 23, pen and ink on paper | 6 |
9 |
||||
Final art for page 25, pen and ink on paper | 6 |
10 |
||||
Final art for page 27, pen and ink on paper | 6 |
11 |
||||
Final art for page 29, pen and ink on paper | 6 |
12 |
||||
Final art for page 33, pen and ink on paper | 6 |
13 |
||||
Final art for page 37, pen and ink on paper | 6 |
14 |
||||
Final art for page 39, pen and ink on paper | 6 |
15 |
||||
Final art for page 40, pen and ink on board | 6 |
16 |
||||
Unpublished illustration of noisy farm animals, pen and ink on board | 6 |
17 |
||||
McWhinney's Jaunt | 1951 | |||||
Illustration of McWhinney, partial final art for book jacket, pen and ink and watercolor on paper | 34 |
22 |
||||
Final art for title page, pen and ink on board | 14 |
1 |
||||
Final art for page 7, pen and ink on board | 14 |
2 |
||||
Final art for page 9, pen and ink on board | 14 |
3 |
||||
Final art for page 11, pen and ink on board | 14 |
4 |
||||
Final art for page 13, pen and ink on board | 14 |
5 |
||||
Final art for page 15, pen and ink on board | 14 |
6 |
||||
Final art for page 17, pen and ink on board | 14 |
7 |
||||
Final art for page 23, pen and ink on board | 14 |
8 |
||||
Final art for page 25, pen and ink on board | 14 |
9 |
||||
Final art for page 27, pen and ink on board | 14 |
10 |
||||
Final art for page 29, pen and ink on board | 14 |
11 |
||||
Final art for page 31, pen and ink on board | 14 |
12 |
||||
Final art for page 33, pen and ink on board | 14 |
13 |
||||
Final art for page 35, pen and ink on board | 14 |
14 |
||||
Final art for page 37, pen and ink on board | 14 |
15 |
||||
Final art for page 39, pen and ink on board | 14 |
16 |
||||
Final art for page 41, pen and ink on board | 14 |
17 |
||||
Final art for page 45, pen and ink on board | 14 |
18 |
||||
Final art for page 47, pen and ink on board | 14 |
19 |
||||
Final art for page 49, pen and ink on board | 14 |
20 |
||||
Final art for page 53, pen and ink on board | 14 |
21 |
||||
Final art for page 55, pen and ink on board | 14 |
22 |
||||
Final art for page 57, pen and ink on board | 14 |
23 |
||||
Final art for page 59, pen and ink on board | 14 |
24 |
||||
Final art for page 61, pen and ink on board | 14 |
25 |
||||
Final art for page 63, pen and ink on board | 14 |
26 |
||||
Final art for page 65, pen and ink on board | 14 |
27 |
||||
Final art for page 67, pen and ink on board | 14 |
28 |
||||
Final art for page 69, pen and ink on board | 14 |
29 |
||||
Final art for page 71, pen and ink on board | 14 |
30 |
||||
Final art for page 73, pen and ink on board | 14 |
31 |
||||
Final art for page 75, pen and ink on board | 14 |
32 |
||||
Final art for page 77, pen and ink on board | 14 |
33 |
||||
Miranda is a Princess | 1937 | |||||
Final art for book jacket and spine, gouache and pen and ink on board | 20 |
3 |
||||
Final art for pages 3/53/129, pen and ink on board | 20 |
4 |
||||
Final art for page 17, pen and ink on board | 20 |
5 |
||||
"Don Alfonzo," pages 29/115, pen and ink on board | 20 |
6 |
||||
Final art for page 65, pen and ink on board | 20 |
7 |
||||
Final art for pages 79/157, pen and ink on board | 20 |
8 |
||||
Final art for pages 137/187, pen and ink on board | 20 |
9 |
||||
Mr. Popper's Penguins | 1938 | |||||
Final art for book jacket and spine, gouache and pen and ink on board | 22 |
1 |
||||
Final art for endpapers, pen and ink on board | 35 |
11 |
||||
Final art for title pages, gouache and pen and ink on board | 35 |
12 |
||||
Final art for spot illustrations, pen and ink on board, 2 items | 22 |
2 |
||||
"Chapter One, Stillwater," page 4, pen and ink on board | 22 |
3 |
||||
Final art for page 24, pen and ink on board | 22 |
4 |
||||
Final art for page 26, pen and ink on board | 22 |
5 |
||||
Final art for page 46, pen and ink on board | 22 |
6 |
||||
Final art for page 47, pen and ink on board | 22 |
7 |
||||
Final art for plate 2, gouache and pen and ink on board | 22 |
8 |
||||
Final art for page 55, pen and ink on board | 22 |
9 |
||||
Final art for page 58, pen and ink on board | 22 |
10 |
||||
Final art for page 65, pen and ink on board | 22 |
11 |
||||
Final art for plate 3, gouache and pen and ink on board | 22 |
12 |
||||
Final art for page 73, pen and ink on board | 22 |
13 |
||||
Final art for page 80, pen and ink on board | 22 |
14 |
||||
Final art for page 87, pen and ink on board | 22 |
15 |
||||
Final art for page 95, pen and ink on board | 22 |
16 |
||||
Final art for plate 4, gouache and pen and ink on board | 22 |
17 |
||||
Final art for page 105, pen and ink on board | 22 |
18 |
||||
Final art for plate 5, gouache and pen and ink on board | 22 |
19 |
||||
Final art for plate 6, gouache and pen and ink on board | 22 |
20 |
||||
Final art for page 137, pen and ink on board | 22 |
21 |
||||
"The End," page 139, pen and ink on board | 22 |
22 |
||||
Mr. Revere and I | 1953 | |||||
Final art | ||||||
Final art for title page, collage of cut paper and pen and ink on paper | 35 |
13 |
||||
Final art for page 6, pen and ink on board | 12 |
1 |
||||
Final art for page 7, pen and ink on board | 12 |
2 |
||||
Final art for page 9, pen and ink on board | 12 |
3 |
||||
Final art for page 11, pen and ink on paper | 35 |
14 |
||||
Final art for page 15, pen and ink on board | 12 |
4 |
||||
Final art for page 18, pen and ink on board | 12 |
5 |
||||
Final art for page 22, pen and ink on board | 12 |
6 |
||||
Final art for page 23, pen and ink on board | 12 |
7 |
||||
Final art for page 26, pen and ink on board | 12 |
8 |
||||
Final art for page 30, pen and ink on board | 12 |
9 |
||||
Final art for page 31, pen and ink on board | 12 |
10 |
||||
Final art for page 33, pen and ink on board | 12 |
11 |
||||
Final art for page 35, pen and ink on board | 12 |
12 |
||||
Final art for page 37, pen and ink on board | 12 |
13 |
||||
Final art for page 43, pen and ink on board | 12 |
14 |
||||
Final art for page 46, pen and ink on board | 12 |
15 |
||||
Final art for page 47, pen and ink on board | 12 |
16 |
||||
Final art for page 49, pen and ink on board | 12 |
17 |
||||
Final art for page 53, pen and ink on board | 12 |
18 |
||||
Final art for page 57, pen and ink on board | 12 |
19 |
||||
Final art for page 69, pen and ink on board | 12 |
20 |
||||
Final art for page 70, pen and ink on board | 12 |
21 |
||||
Final art for page 71, pen and ink on board | 12 |
22 |
||||
Final art for page 74, pen and ink on board | 12 |
23 |
||||
Final art for page 75, pen and ink on board | 12 |
24 |
||||
Final art for page 82, pen and ink on board | 12 |
25 |
||||
Final art for page 83, pen and ink on board | 12 |
26 |
||||
Final art for page 92, pen and ink on board | 12 |
27 |
||||
Final art for page 94, pen and ink on board | 12 |
28 |
||||
Final art for page 96, pen and ink on board | 12 |
29 |
||||
Final art for page 104, pen and ink on board | 12 |
30 |
||||
Final art for page 105, pen and ink on board | 12 |
31 |
||||
Final art for page 113, pen and ink on board | 12 |
32 |
||||
Final art for page 118, pen and ink on board | 12 |
33 |
||||
Final art for page 123, pen and ink on board | 12 |
34 |
||||
Final art for page 129, pen and ink on board | 13 |
2 |
||||
Final art for page 139, pen and ink on board | 13 |
3 |
||||
Final art for page 144, pen and ink on board | 13 |
4 |
||||
Final art for page 145, pen and ink on board | 13 |
5 |
||||
Final art for page 149, pen and ink on board | 13 |
6 |
||||
Final art for page 150, pen and ink on board | 35 |
15 |
||||
Unpublished illustration of dead soldier, pen and ink on board | 13 |
7 |
||||
Final art for limited edition copyright page, gouache and pen and ink on board | 13 |
8 |
||||
Final art for limited edition dedication page, pen and ink on tracing paper mounted to pen and ink on board | 13 |
9 |
||||
Final art for limited edition title page, collage of cut paper and pen and ink on paper | 35 |
16 |
||||
Book cover including boards, no text block | 37 |
5 |
||||
Mr. Twigg's Mistake | 1947 | |||||
Preliminary art | ||||||
Preliminary art for book jacket and spine, colored pencil, gouache, graphite, pen and ink, and watercolor on paper | 2 |
25 |
||||
Final art | ||||||
Final art for book jacket and spine, colored pencil, gouache, graphite, pen and ink, and watercolor on board | 28 |
25 |
||||
Final art for alternate book jacket and spine, pen and ink on board | 28 |
26 |
||||
Final art for endpapers, pen and ink on board | 35 |
17 |
||||
Final art for frontispiece, pen and ink on board | 2 |
26 |
||||
Final art for title page, pen and ink on board | 2 |
27 |
||||
Final art for table of contents, pen and ink on board | 2 |
28 |
||||
Final art for page 3, pen and ink on board | 2 |
29 |
||||
Final art for page 5, pen and ink on board | 2 |
30 |
||||
Final art for page 9, pen and ink on board | 2 |
31 |
||||
Final art for page 11, pen and ink on board | 2 |
32 |
||||
Final art for page 12, pen and ink on board | 10 |
6 |
||||
Final art for page 15, pen and ink on board | 10 |
7 |
||||
Final art for pages 16 and 17, pen and ink on board | 28 |
27 |
||||
Final art for page 19, pen and ink on board | 10 |
8 |
||||
Final art for page 22, pen and ink on board | 10 |
9 |
||||
Final art for pages 24 and 25, pen and ink on board | 28 |
28 |
||||
Final art for page 26, pen and ink on board | 10 |
10 |
||||
Final art for page 28, pen and ink on board | 10 |
11 |
||||
Final art for page 32, pen and ink on board | 10 |
12 |
||||
Final art for page 35, pen and ink on board | 10 |
13 |
||||
Final art for page 40, pen and ink on board | 10 |
14 |
||||
Final art for page 45, pen and ink on board | 10 |
15 |
||||
Final art for page 51, pen and ink on board | 10 |
16 |
||||
Final art for page 53, pen and ink on board | 10 |
17 |
||||
Final art for page 55, pen and ink on board | 10 |
18 |
||||
Final art for page 59, pen and ink on board | 10 |
19 |
||||
Final art for page 65, pen and ink on board | 10 |
20 |
||||
Final art for page 67, pen and ink on board | 10 |
21 |
||||
Final art for page 68, pen and ink on board | 10 |
22 |
||||
Final art for page 71, pen and ink on board | 10 |
23 |
||||
Final art for page 75, pen and ink on board | 10 |
24 |
||||
Final art for page 80, pen and ink on board | 10 |
25 |
||||
Final art for page 83, pen and ink on board | 10 |
26 |
||||
Final art for page 87, pen and ink on board | 10 |
27 |
||||
Final art for page 89, pen and ink on board | 10 |
28 |
||||
Final art for page 93, pen and ink on board | 10 |
29 |
||||
Final art for page 94, pen and ink on board | 10 |
30 |
||||
Final art for pages 96 and 97, pen and ink on board | 28 |
29 |
||||
Final art for page 101, pen and ink on board | 10 |
31 |
||||
Final art for page 105, pen and ink on board | 10 |
32 |
||||
Final art for pages 106 and 107, pen and ink on board | 28 |
30 |
||||
Final art for page 111, pen and ink on board | 10 |
33 |
||||
Final art for page 115, pen and ink on board | 10 |
34 |
||||
Final art for page 119, pen and ink on board | 28 |
31 |
||||
Final art for pages 124 and 125, pen and ink on board | 28 |
32 |
||||
Final art for pages 136 and 137, pen and ink on board | 28 |
33 |
||||
Final art for page 143, pen and ink on board | 10 |
35 |
||||
Mr. Wilmer | 1945 | |||||
Final art for book jacket and spine, gouache, graphite, pen and ink, and watercolor on board | 35 |
18 |
||||
Final art for title page, pen and ink on board | 8 |
1 |
||||
Final art for page 5, pen and ink on board | 8 |
2 |
||||
Final art for page 10, pen and ink on board | 8 |
3 |
||||
Final art for page 13, pen and ink on board | 8 |
4 |
||||
Final art for page 19, pen and ink on board | 8 |
5 |
||||
Final art for page 25, pen and ink on board | 8 |
6 |
||||
Final art for page 30, pen and ink on board | 8 |
7 |
||||
Final art for page 35, pen and ink on board | 8 |
8 |
||||
Final art for page 37, pen and ink on board | 8 |
9 |
||||
Final art for page 39, pen and ink on board | 8 |
10 |
||||
Final art for pages 42 and 43, pen and ink on board | 8 |
11 |
||||
Final art for page 47, pen and ink on board | 8 |
12 |
||||
Final art for page 48, pen and ink on board | 8 |
13 |
||||
Final art for page 52, pen and ink on board | 8 |
14 |
||||
Final art for page 55, pen and ink on board | 8 |
15 |
||||
Final art for page 58, pen and ink on board | 8 |
16 |
||||
Final art for page 62, pen and ink on board | 8 |
17 |
||||
Final art for page 65, pen and ink on board | 8 |
18 |
||||
Final art for page 71, pen and ink on board | 8 |
19 |
||||
Final art for page 74, pen and ink on board | 8 |
20 |
||||
Final art for page 82, pen and ink on board | 8 |
21 |
||||
Final art for page 84, pen and ink on board | 8 |
22 |
||||
Final art for page 89, pen and ink on board | 8 |
23 |
||||
Final art for page 93, pen and ink on board | 8 |
24 |
||||
Final art for page 96, pen and ink on board | 8 |
25 |
||||
Final art for pages 100 and 101, pen and ink on board | 8 |
26 |
||||
Final art for page 107, pen and ink on board | 8 |
27 |
||||
Final art for page 115, pen and ink on board | 8 |
28 |
||||
Final art for page 116, pen and ink on board | 8 |
29 |
||||
Final art for page 121, pen and ink on board | 8 |
30 |
||||
Final art for page 128, pen and ink on board | 8 |
31 |
||||
Final art for pages 133 and 142, pen and ink on board | 8 |
32 |
||||
Final art for page 138, pen and ink on board | 8 |
33 |
||||
Final art for page 148, pen and ink on board | 9 |
16 |
||||
Final art for page 150, pen and ink on board | 9 |
17 |
||||
Final art for pages 152 and 153, pen and ink on board | 9 |
18 |
||||
Final art for page 155, pen and ink on board | 9 |
19 |
||||
Final art for page 158, pen and ink on board | 9 |
20 |
||||
Final art for page 161, pen and ink on board | 9 |
21 |
||||
Final art for pages 162 and 163, pen and ink on board | 9 |
22 |
||||
Final art for page 165, pen and ink on board | 9 |
23 |
||||
Final art for pages 166 and 169, pen and ink on board | 9 |
24 |
||||
Final art for pages 177 and 178, pen and ink on board | 9 |
25 |
||||
Final art for pages 179 and 183, pen and ink on board | 9 |
26 |
||||
Final art for pages 185 and 190, pen and ink on board | 9 |
27 |
||||
Final art for page 195, pen and ink on board | 9 |
28 |
||||
Final art for pages 196 and 197, pen and ink on board | 9 |
29 |
||||
Final art for pages 200 and 201, pen and ink on board | 9 |
30 |
||||
Final art for page 202, pen and ink on board | 9 |
31 |
||||
Final art for pages 204 and 205, pen and ink on board | 9 |
32 |
||||
Final art for pages 210 and 211, pen and ink on board | 9 |
33 |
||||
Final art for pages 214 and 215, pen and ink on board | 9 |
34 |
||||
One Foot in Fairyland | 1938 | |||||
Final art for book jacket and spine, gouache and pen and ink on board | 20 |
10 |
||||
"The Goldfish," page 46, pen and ink on board | 20 |
11 |
||||
"The Clumber Pup," page 54, pen and ink on board | 20 |
12 |
||||
“Leaving Paradise,” page 84, pen and ink on board | 35 |
19 |
||||
"The Miracle of the Poor Island," page 128, pen and ink on board | 20 |
13 |
||||
“Pennyworth,” page 161, pen and ink on board | 20 |
14 |
||||
"The Glass Peacock," page 219, pen and ink on board | 20 |
15 |
||||
"The Kind Farmer," page 230, pen and ink on board | 20 |
16 |
||||
Peik | 1932 | |||||
Preliminary art for book jacket, graphite, pen and ink, and watercolor on paper | 1 |
1 |
||||
Final art for book jacket, pen and ink on board | 20 |
17 |
||||
Complete set of final art, pen and ink on paper, 26 sheets | 1 |
2-27 |
||||
Pictorial Review | ||||||
“The Parliament at Thebes,” gouache on board | 1923 June | 36 |
7 |
|||
Illustration of a man on horseback in the woods, charcoal, graphite, opaque white, and watercolor on board | 1929 | 36 |
8 |
|||
Pilgrim's Progress | 1939 | |||||
Design for binding stamp, pen and ink on board | 23 |
1 |
||||
Final art | ||||||
Final art for endpapers, pen and ink on board | 35 |
20 |
||||
Final art for title pages, gouache and pen and ink on board | 35 |
21 |
||||
Spot illustrations for pages viii and 120, graphite on board | 23 |
2 |
||||
Final art for page 1, graphite on board | 23 |
3 |
||||
Final art for page 4, graphite on board | 23 |
4 |
||||
Final art for page 5, graphite on board | 23 |
5 |
||||
"The Slough of Despond," page 9, charcoal, graphite, and opaque white on paper | 23 |
6 |
||||
Final art for pages 11 and 12, graphite on board | 23 |
7 |
||||
Final art for page 15, graphite on board | 23 |
8 |
||||
Final art for page 19, graphite on board | 23 |
9 |
||||
Final art for page 28, graphite on board | 23 |
10 |
||||
Final art for page 31, graphite on board | 23 |
11 |
||||
Final art for pages 33 and 43, graphite on board | 23 |
12 |
||||
Final art for page 36, graphite on board | 23 |
13 |
||||
"The Valley of the Shadow of Death," page 39, charcoal and graphite on paper | 23 |
14 |
||||
Spot illustrations for pages 44 and 45, graphite on board | 23 |
15 |
||||
Spot illustrations for page 45, graphite on board | 23 |
16 |
||||
Final art for page 53, graphite on board | 23 |
17 |
||||
Final art for page 55, graphite on board | 23 |
18 |
||||
Final art for page 58, graphite on board | 23 |
19 |
||||
Final art for page 69, graphite on board | 23 |
20 |
||||
Final art for pages 73 and 75, graphite on board | 23 |
21 |
||||
"Now They Heard the Fierce Bark of a Dog," page 77, charcoal, graphite, and opaque white on paper | 23 |
22 |
||||
Final art for page 82, graphite on board | 23 |
23 |
||||
Final art for page 85, graphite on board | 23 |
24 |
||||
Final art for pages 86 and 101, graphite on board | 23 |
25 |
||||
Final art for page 88, graphite on board | 23 |
26 |
||||
Final art for page 89, graphite on board | 23 |
27 |
||||
Final art for page 98, graphite on board | 23 |
28 |
||||
Final art for page 99, graphite on board | 23 |
29 |
||||
Final art for page 116, graphite on board | 23 |
30 |
||||
Final art for page 118, graphite on board | 23 |
31 |
||||
Poo-Poo and the Dragons | 1942 | |||||
Final art for endpapers, pen and ink on board | 35 |
22 |
||||
Final art for title pages, pen and ink on board | 35 |
23 |
||||
Final art for chapter head spot illustration A, pen and ink on board | 22 |
24 |
||||
Final art for chapter head spot illustration B, pen and ink on board | 22 |
25 |
||||
Final art for page 21, pen and ink on board | 35 |
24 |
||||
Final art for page 31, pen and ink on board | 22 |
26 |
||||
Final art for page 40, pen and ink on board | 22 |
27 |
||||
Final art for page 49, pen and ink on board | 22 |
28 |
||||
Final art for page 61, pen and ink on board | 22 |
29 |
||||
Final art for page 74, pen and ink on board | 22 |
30 |
||||
Final art for page 110, pen and ink on board | 22 |
31 |
||||
Final art for page 121, pen and ink on board | 22 |
32 |
||||
Final art for page 123, pen and ink on board | 22 |
33 |
||||
Final art for page 135, pen and ink on board | 22 |
34 |
||||
Prince Prigio | 1942 | |||||
Final art for book jacket and spine, gouache and pen and ink on board | 35 |
25 |
||||
Final art for frontispiece and title page, pen and ink on board | 35 |
26 |
||||
Final art for page 3, pen and ink on board | 4 |
21 |
||||
"My Child, You Shall Be Too Clever," page 8, pen and ink on board | 4 |
22 |
||||
Final art for page 10, pen and ink on board | 4 |
23 |
||||
"He Showed the Fencing Master How to Fence," page 11, pen and ink on board | 4 |
24 |
||||
Final art for page 16, pen and ink on board | 4 |
25 |
||||
"And Off He Went," page 19, pen and ink on board | 4 |
26 |
||||
Final art for page 22, pen and ink on board | 4 |
27 |
||||
Final art for page 24, pen and ink on board | 4 |
28 |
||||
Final art for page 25, pen and ink on board | 4 |
29 |
||||
"The Ungrateful Courtiers Left Prigio," page 28, pen and ink on board | 4 |
30 |
||||
Final art for page 30, pen and ink on board | 4 |
31 |
||||
Final art for page 32, pen and ink on board | 4 |
32 |
||||
Final art for page 35, pen and ink on board | 4 |
33 |
||||
Final art for page 40, pen and ink on board | 5 |
1 |
||||
Final art for page 47, pen and ink on board | 5 |
2 |
||||
"At Last He Jumped Up and Rushed into the Library," page 49 pen and ink on board | 5 |
3 |
||||
Final art for page 51, pen and ink on board | 5 |
4 |
||||
Final art for page 54, pen and ink on board | 5 |
5 |
||||
Final art for page 57, pen and ink on board | 5 |
6 |
||||
Final art for pages 60 and 61, pen and ink on board | 35 |
27 |
||||
Final art for page 65, pen and ink on board | 5 |
7 |
||||
Final art for page 76, pen and ink on board | 5 |
8 |
||||
"Beside the Dead Body of the Firedrake," page 81, pen and ink on board | 5 |
9 |
||||
Final art for page 83, pen and ink on board | 5 |
10 |
||||
Final art for page 89, pen and ink on board | 5 |
11 |
||||
Final art for page 96, pen and ink on board | 5 |
12 |
||||
"Up There Sprang a Tall White Flame," page 100, pen and ink on board | 5 |
13 |
||||
Final art for page 106, pen and ink on board | 5 |
14 |
||||
Final art for page 109, pen and ink on board | 5 |
15 |
||||
Robbut | 1949 | |||||
Final art for pages 32 and 33, charcoal and graphite on board | 34 |
23 |
||||
Final art for pages 42 and 43, graphite and opaque white on board | 34 |
24 |
||||
Final art for pages 50 and 51, graphite and opaque white on board | 34 |
25 |
||||
Final art for pages 54 and 55, graphite on board | 34 |
26 |
||||
Final art for pages 56 and 57, charcoal and graphite on board | 34 |
27 |
||||
Final art for pages 70 and 71, graphite on board | 34 |
28 |
||||
Final art for pages 72 and 73, graphite and opaque white on board | 34 |
29 |
||||
Final art for pages 76 and 77, graphite, opaque white, and pen and ink on board | 34 |
30 |
||||
Final art for pages 84 and 85, charcoal and graphite on board | 34 |
31 |
||||
Final art for pages 90 and 91, graphite and opaque white on board | 34 |
32 |
||||
The Roving Lobster | 1931 | |||||
Preliminary art | ||||||
Preliminary art for cover, gouache and pen and ink on board | 17 |
33 |
||||
Final art | ||||||
Final art for frontispiece, pen and ink on paper | 1 |
28 |
||||
Final art for title page, pen and ink on paper | 1 |
29 |
||||
Final art for page 5, collage of cut paper and pen and ink on paper | 1 |
30 |
||||
Final art for page 13, pen and ink on paper | 1 |
31 |
||||
Final art for page 16, pen and ink on paper | 1 |
32 |
||||
Final art for page 23, pen and ink on paper | 1 |
33 |
||||
Final art for page 38, pen and ink on paper | 1 |
34 |
||||
Final art for page 47, pen and ink on paper | 1 |
35 |
||||
Final art for page 55, pen and ink on paper | 1 |
36 |
||||
Final art for page 63, pen and ink on paper | 1 |
37 |
||||
Final art for page 73, pen and ink on paper | 1 |
38 |
||||
Final art for page 79, pen and ink on paper | 1 |
39 |
||||
Final art for page 87, pen and ink on paper | 2 |
33 |
||||
Final art for page 93, pen and ink on paper | 2 |
34 |
||||
Final art for page 107, pen and ink on paper | 2 |
35 |
||||
Final art for page 111, pen and ink on paper | 2 |
36 |
||||
Final art for page 121, pen and ink on paper | 2 |
37 |
||||
Final art for page 129, pen and ink on paper | 2 |
38 |
||||
"The End," page 132, pen and ink on paper | 2 |
39 |
||||
Hand-colored printer's proof of page 47, pen and ink and watercolor on paper | 2 |
40 |
||||
Smeller Martin | 1950 | |||||
Preliminary art | ||||||
Preliminary art for book jacket, gouache, graphite, and pen and ink on board | 13 |
10 |
||||
Final art | ||||||
Illustration of Smeller Martin, partial final art for book jacket, gouache, graphite, and pen and ink on board | 13 |
11 |
||||
Final art for page 11, graphite on board | 13 |
12 |
||||
Final art for page 17, graphite and pen and ink on board | 13 |
13 |
||||
Final art for page 29, graphite and pen and ink on board | 13 |
14 |
||||
Final art for page 38, graphite on board | 13 |
15 |
||||
Final art for page 45, graphite and pen and ink on board | 13 |
16 |
||||
Final art for page 63, graphite on board | 13 |
17 |
||||
Final art for page 73, graphite and pen and ink on board | 13 |
18 |
||||
Final art for page 85, graphite on board | 13 |
19 |
||||
Final art for page 101, graphite on board | 13 |
20 |
||||
Final art for page 107, graphite and pen and ink on board | 13 |
21 |
||||
Final art for page 129, graphite and pen and ink on board | 13 |
22 |
||||
Final art for page 139, graphite and pen and ink on board | 13 |
23 |
||||
Bound printer's dummy, 15 pages | 37 |
3 |
||||
The Story of Ferdinand | 1936 | |||||
Dummy with graphite, pen and ink, and watercolor illustrations, 74 pages | 38 |
|||||
The Story of Simpson and Sampson | 1941 | |||||
Final art for book jacket and spine, gouache and pen and ink on board | 25 |
28 |
||||
"End Paper," gouache on board | 25 |
29 |
||||
Final art for page 11, pen and ink on board | 25 |
30 |
||||
Final art for page 13, pen and ink on board | 25 |
31 |
||||
Final art for page 17, pen and ink on board | 25 |
32 |
||||
Final art for page 21, pen and ink on board | 25 |
33 |
||||
Final art for page 23, pen and ink on board | 25 |
34 |
||||
Final art for page 27, pen and ink on board | 25 |
35 |
||||
Final art for page 29, pen and ink on board | 25 |
36 |
||||
Final art for page 31, pen and ink on board | 25 |
37 |
||||
Final art for page 35, pen and ink on board | 25 |
38 |
||||
Final art for page 39, pen and ink on board | 25 |
39 |
||||
Final art for page 45, pen and ink on board | 27 |
30 |
||||
Final art for page 47, pen and ink on board | 27 |
31 |
||||
Final art for page 49, pen and ink on board | 27 |
32 |
||||
Final art for page 53, pen and ink on board | 27 |
33 |
||||
Final art for page 55, pen and ink on board | 27 |
34 |
||||
Final art for pages 58 and 59, graphite and pen and ink on board | 35 |
28 |
||||
Final art for page 61, pen and ink on board | 27 |
35 |
||||
They Were Strong and Good | 1940 | |||||
Dummy with graphite illustrations, 66 pages Includes two notes relating to its acquisition history and a handwritten note from
Robert Lawson identifying the dummy as "original manuscript and pencil sketches."
|
37 |
4 |
||||
Final art | ||||||
Final art for book jacket and spine, gouache and pen and ink on board | 35 |
29 |
||||
Final art for endpapers, pen and ink on board | 35 |
30 |
||||
Final art for title page, pen and ink on board | 3 |
1 |
||||
Final art for page 9, graphite and pen and ink on board | 3 |
2 |
||||
Final art for page 13, pen and ink on board | 3 |
3 |
||||
Final art for page 15, pen and ink on board | 3 |
4 |
||||
Final art for page 18, pen and ink on board | 3 |
5 |
||||
Final art for page 19, pen and ink on board | 3 |
6 |
||||
Final art for page 21, pen and ink on board | 3 |
7 |
||||
Final art for page 25, pen and ink on board | 3 |
8 |
||||
Final art for page 27, pen and ink on board | 3 |
9 |
||||
Final art for page 29, pen and ink on board | 3 |
10 |
||||
Final art for page 31, pen and ink on board | 3 |
11 |
||||
Final art for page 33, pen and ink on board | 3 |
12 |
||||
Final art for page 35, pen and ink on board | 3 |
13 |
||||
Final art for page 37, pen and ink on board | 3 |
14 |
||||
Final art for page 39, pen and ink on board | 3 |
15 |
||||
Final art for page 40, pen and ink on board | 3 |
16 |
||||
Final art for page 41, pen and ink on board | 3 |
17 |
||||
Final art for page 43, pen and ink on board | 3 |
18 |
||||
Final art for page 45, pen and ink on board | 3 |
19 |
||||
Final art for page 46, pen and ink on board | 3 |
20 |
||||
Final art for page 47, pen and ink on board | 3 |
21 |
||||
Final art for page 49, pen and ink on board | 3 |
22 |
||||
Final art for page 51, pen and ink on board | 3 |
23 |
||||
Final art for page 55, pen and ink on board | 3 |
24 |
||||
Final art for page 57, pen and ink on board | 3 |
25 |
||||
Final art for page 59, pen and ink on board | 3 |
26 |
||||
Final art for page 61, pen and ink on board | 3 |
27 |
||||
Final art for page 65, pen and ink on board | 3 |
28 |
||||
Final art for page 67, pen and ink on board | 3 |
29 |
||||
Final art for page 69, pen and ink on board | 3 |
30 |
||||
Final art for page 70, pen and ink on board | 3 |
31 |
||||
The Tough Winter | 1954 | |||||
Preliminary art | ||||||
Preliminary art for cover, conte crayon, gouache, graphite, and watercolor on paper | 13 |
24 |
||||
Alternate design for binding stamp, pen and ink on paper | 36 |
9 |
||||
Final art | ||||||
Final art for endpapers, graphite and pen and ink on board | 36 |
10 |
||||
Final art for page 20, conte crayon, graphite, and pen and ink on board | 13 |
25 |
||||
Final art for pages 42 and 43, conte crayon and graphite on board | 36 |
11 |
||||
Final art for page 53, graphite and pen and ink on board | 13 |
26 |
||||
Final art for page 60, conte crayon, graphite, and pen and ink on board | 13 |
27 |
||||
Final art for page 62, conte crayon, graphite, and pen and ink on board | 13 |
28 |
||||
Final art for page 65, graphite and pen and ink on board | 13 |
29 |
||||
Final art for page 67, graphite and pen and ink on board | 13 |
30 |
||||
Final art and page proof for page 68, conte crayon, graphite, and pen and ink on board, with proof pasted in | 13 |
31 |
||||
Final art and page proof for page 71, conte crayon, graphite, and pen and ink on board, with proof pasted in | 13 |
32 |
||||
Final art for page 105, graphite on board | 13 |
33 |
||||
Final art and page proof for page 108, graphite and pen and ink on board, with proof pasted in | 13 |
34 |
||||
The Treasure of the Isle of Mist | 1934 | |||||
Final art for book jacket and spine, collage of cut paper and pen and ink on board | 35 |
31 |
||||
Final art for endpapers, collage of cut paper and pen and ink on board | 19 |
20 |
||||
"But Even As She Turned She Caught Sight of the Feather," frontispiece, pen and ink on paper | 19 |
21 |
||||
"'Can't I?' Said the Urchin, 'You Watch,'" page 23, pen and ink on paper | 19 |
22 |
||||
Final art for page 33, pen and ink on paper | 19 |
23 |
||||
"And So They Came to the Great West Cave," page 45, pen and ink on paper | 19 |
24 |
||||
"Jaconiah Found a Couple of Ne'er-Do-Wells from the Mainland," page 59, pen and ink on paper | 19 |
25 |
||||
"But Fiona Was Not Looking at Jaconiah," page 81, pen and ink on paper | 19 |
26 |
||||
"I Am an Oread," page 103, pen and ink on paper | 19 |
27 |
||||
Final art for page 111, pen and ink on paper | 19 |
28 |
||||
"Will Miss Fiona Take the Bird Now?" page 123, pen and ink on paper | 19 |
29 |
||||
Final art for page 144, pen and ink on paper | 19 |
30 |
||||
"It Was a Gathering Such As Fiona Had Never Dreamt Of," page 145, pen and ink on paper | 19 |
31 |
||||
"Jaconiah Began to Look Alarmed," page 173, pen and ink on paper | 19 |
32 |
||||
Final art for page 175, pen and ink on paper | 19 |
33 |
||||
Final art for back book jacket, opaque white and pen and ink on board | 19 |
34 |
||||
Under the Tent of the Sky | 1937 | |||||
Final art for book jacket, pen and ink on paper | 35 |
32 |
||||
Final art for title page, pen and ink on board | 20 |
18 |
||||
"Circus Cavalcade," page 1, pen and ink on board | 20 |
19 |
||||
"Animals Never Seen in Circus or Zoo," page 21, pen and ink on board | 20 |
20 |
||||
"Playmates," page 67, pen and ink on board | 20 |
21 |
||||
"Feathered Friends," page 81, pen and ink on board | 20 |
22 |
||||
"Singing Wings," page 89, pen and ink on board | 20 |
23 |
||||
"Frail Wings," page 97, pen and ink on board | 20 |
24 |
||||
"In the Garden," page 111, pen and ink on board | 20 |
25 |
||||
"Animal Fancies," page 135, pen and ink on board | 20 |
26 |
||||
"Sleepy Songs," page 183, pen and ink on board | 20 |
27 |
||||
The Unicorn with Silver Shoes | 1932 | |||||
Final art for book jacket and spine, pen and ink on paper | 34 |
33 |
||||
Final art for endpapers, pen and ink on paper | 34 |
34 |
||||
Final art for title page, pen and ink on paper | 15 |
1 |
||||
Final art for frontispiece, pen and ink on paper | 15 |
2 |
||||
"Three Golden Apples," page 1, pen and ink on paper | 15 |
3 |
||||
Final art for page 3, pen and ink on paper | 15 |
4 |
||||
Final art for page 9, pen and ink on paper | 15 |
5 |
||||
"The Unicorn with Silver Shoes," page 19, pen and ink on paper | 15 |
6 |
||||
Final art for page 21, pen and ink on paper | 15 |
7 |
||||
Final art for page 35, pen and ink on paper | 15 |
8 |
||||
"Kyelins, Blue and Green," page 43, pen and ink on paper | 15 |
9 |
||||
Final art for page 45, pen and ink on paper | 15 |
10 |
||||
Final art for page 50, pen and ink on paper | 15 |
11 |
||||
Final art for page 68, pen and ink on paper | 15 |
12 |
||||
"Flower of the Moon," page 73, pen and ink on paper | 15 |
13 |
||||
Final art for page 75, pen and ink on paper | 15 |
14 |
||||
Final art for page 83, pen and ink on paper | 15 |
15 |
||||
Final art for page 110, pen and ink on paper | 15 |
16 |
||||
Final art for page 117, pen and ink on paper | 15 |
17 |
||||
Final art for page 128, pen and ink on paper | 15 |
18 |
||||
Final art for page 153, pen and ink on paper | 15 |
19 |
||||
Final art for page 166, pen and ink on paper | 15 |
20 |
||||
Final art for page 177, pen and ink on paper | 15 |
21 |
||||
Final art for page 196, pen and ink on paper | 15 |
22 |
||||
Final art for page 211, pen and ink on paper | 15 |
23 |
||||
Watchwords of Liberty | 1943 | |||||
Final art for frontispiece, pen and ink on board | 5 |
16 |
||||
Final art for spot illustrations, pen and ink on board | 5 |
17 |
||||
Final art for page 3, pen and ink on board | 5 |
18 |
||||
Final art for page 5, pen and ink on board | 5 |
19 |
||||
Final art for pages 6 and 7, pen and ink on board | 36 |
12 |
||||
Final art for page 9, pen and ink on board | 5 |
20 |
||||
Final art for page 13, pen and ink on board | 5 |
21 |
||||
Final art for page 27, pen and ink on board | 5 |
22 |
||||
Final art for page 31, pen and ink on board | 5 |
23 |
||||
Final art for page 35, pen and ink on board | 5 |
24 |
||||
Final art for pages 36 and 37, pen and ink on board | 36 |
13 |
||||
Final art for page 38, pen and ink on board | 5 |
25 |
||||
Final art for page 41, pen and ink on board | 5 |
26 |
||||
Final art for page 42, pen and ink on board | 5 |
27 |
||||
Final art for page 44, pen and ink on board | 5 |
28 |
||||
Final art for page 47, pen and ink on board | 5 |
29 |
||||
Final art for page 49, pen and ink on board | 5 |
30 |
||||
Final art for page 51, pen and ink on board | 5 |
31 |
||||
Final art for page 54, pen and ink on board | 5 |
32 |
||||
Final art for page 58, pen and ink on board | 6 |
18 |
||||
Final art for page 69, pen and ink on board | 6 |
19 |
||||
Final art for page 73, pen and ink on board | 6 |
20 |
||||
Final art for page 75, pen and ink on board | 6 |
21 |
||||
Final art for page 77, pen and ink on board | 6 |
22 |
||||
Final art for page 80, pen and ink on board | 6 |
23 |
||||
Final art for page 82, pen and ink on board | 6 |
24 |
||||
Final art for page 91, pen and ink on board | 6 |
25 |
||||
Final art for pages 92 and 93, pen and ink on board | 36 |
14 |
||||
Final art for page 100, pen and ink on board | 6 |
26 |
||||
Final art for page 103, pen and ink on board | 6 |
27 |
||||
Final art for page 104, pen and ink on board | 6 |
28 |
||||
Final art for page 108, pen and ink on board | 6 |
29 |
||||
Final art for page 111, pen and ink on board | 6 |
30 |
||||
Final art for page 113, pen and ink on board | 6 |
31 |
||||
Wee Gillis | 1938 | |||||
Final art | ||||||
Final art for book jacket, pen and ink on board with watercolor on tracing paper overlay, 2 items | 31 |
34 |
||||
Final art for endpapers, pen and ink on board | 31 |
35 |
||||
Final art for page 7, pen and ink on board | 31 |
1 |
||||
Final art for page 9, pen and ink on board | 31 |
2 |
||||
Final art for page 11, pen and ink on board | 31 |
3 |
||||
Final art for page 13, pen and ink on board | 31 |
4 |
||||
Final art for page 15, pen and ink on board | 31 |
5 |
||||
Final art for page 17, pen and ink on board | 31 |
6 |
||||
Final art for page 19, pen and ink on board | 31 |
7 |
||||
Final art for page 21, pen and ink on board | 31 |
8 |
||||
Final art for page 25, pen and ink on board | 31 |
9 |
||||
Final art for page 27, pen and ink on board | 31 |
10 |
||||
Final art for page 29, pen and ink on board | 31 |
11 |
||||
Final art for page 31, pen and ink on board | 31 |
12 |
||||
Final art for page 33, pen and ink on board | 31 |
13 |
||||
Final art for page 35, pen and ink on board | 31 |
14 |
||||
Final art for page 37, pen and ink on board | 31 |
15 |
||||
Final art for page 39, pen and ink on board | 31 |
16 |
||||
Final art for page 41, pen and ink on board | 31 |
17 |
||||
Final art for page 43, pen and ink on board | 31 |
18 |
||||
Final art for page 45, pen and ink on board | 31 |
19 |
||||
Final art for page 47, pen and ink on board | 31 |
20 |
||||
Final art for page 49, pen and ink on board | 31 |
21 |
||||
Final art for page 51, pen and ink on board | 31 |
22 |
||||
Final art for page 53, pen and ink on board | 31 |
23 |
||||
Final art for page 55, pen and ink on board | 31 |
24 |
||||
Final art for page 57, pen and ink on board | 31 |
25 |
||||
Final art for page 59, pen and ink on board | 31 |
26 |
||||
Final art for page 61, pen and ink on board | 31 |
27 |
||||
Final art for page 63, pen and ink on board | 31 |
28 |
||||
Final art for page 65, pen and ink on board | 31 |
29 |
||||
Final art for page 67, pen and ink on board | 31 |
30 |
||||
Final art for page 69, pen and ink on board | 31 |
31 |
||||
Final art for page 71, pen and ink on board | 31 |
32 |
||||
Unpublished art for alternate version of title page, pen and ink on board with watercolor on tracing paper overlay, 2 items | 31 |
33 |
||||
The Wonderful Adventures of Little Prince Toofat | 1922 | |||||
Final art for plate 3, oil paint and pen and ink on board, varnished | 36 |
15 |
||||
Unpublished Artworks | ||||||
"A Wailing by the Shore," etchings, 3 items | 32 |
1 |
||||
"Came the Dawn," graphite on paper | 32 |
2 |
||||
"Came the Dawn," etchings, 3 items | 32 |
3 |
||||
"The Cluricaun," etchings, 2 items | 32 |
4 |
||||
"The Deserted Princess," gouache and watercolor on board | circa 1920 | 36 |
16 |
|||
"Dune Light," charcoal and graphite on paper with etching proof, 2 items | 32 |
5 |
||||
"Escape," etchings, 3 items | 32 |
6 |
||||
"Golden Age," graphite on paper | 32 |
7 |
||||
"Golden Age," etchings, 2 items | 32 |
8 |
||||
"The Happy Valley - Spring," graphite on paper | 32 |
9 |
||||
"The Happy Valley - Spring," etchings, 4 items | 32 |
10 |
||||
"The Happy Valley - Summer," graphite on paper | 32 |
11 |
||||
"The Happy Valley - Summer," etchings, 12 items | 32 |
12 |
||||
"The Happy Valley - Autumn," graphite and pen and ink on paper | 32 |
13 |
||||
"The Happy Valley - Autumn," etchings, 9 items | 32 |
14 |
||||
"The Happy Valley - Winter," graphite on paper | 32 |
15 |
||||
"The Happy Valley - Winter," etchings, 2 items | 32 |
16 |
||||
"The Headache," graphite on paper | 32 |
17 |
||||
"The House of Usher," charcoal, graphite, and pen and ink on paper | 32 |
18 |
||||
"The House of Usher," etchings, 3 items | 32 |
19-20a |
||||
"The Huntress," graphite on paper | 32 |
21 |
||||
"The Huntress," etchings, 14 items | 32 |
22 |
||||
Illustration of a gardener and a faun, charcoal and graphite on paper | Map Case #6 |
|||||
Illustration of a girl by a lake, charcoal and graphite on paper | 1928 | Map Case #6 |
||||
Illustration of a nymph, gouache on construction paper | 32 |
23 |
||||
Illustration of a nymph riding on the back of a ram, gouache on construction paper | 32 |
24 |
||||
"In a Salem Garden," graphite on paper | 33 |
8 |
||||
"In a Salem Garden," etchings, 2 items | 33 |
9 |
||||
"King Canute," graphite on paper | 33 |
10 |
||||
"King Canute," first state etching proof | 33 |
11 |
||||
"The Kirkegrim," etchings, 3 items | 33 |
12 |
||||
Early alternate version of "The Leprecaun," etching | 33 |
13 |
||||
"The Leprecaun," etchings, 2 items | 33 |
14 |
||||
Lucky Mrs. Ticklefeather | circa 1951 | |||||
Designs for spot illustrations, pen and ink on board, 4 items | 33 |
2 |
||||
Illustration of a puffin in a woman's bedroom, pen and ink on board | 33 |
3 |
||||
Illustration of two men with a wheelbarrow, pen and ink on board | 33 |
4 |
||||
Illustration of a woman crying, pen and ink on board | 33 |
5 |
||||
Illustration of a puffin, a policeman, and a man with a hatchet, pen and ink on board | 33 |
15 |
||||
"Manhattan," etchings, 3 items | 33 |
16 |
||||
"The March of Progress," charcoal and graphite on paper | 33 |
17 |
||||
"The March of Progress," etchings, 3 items | 33 |
18 |
||||
"The Merrow," etchings, 5 items | 33 |
19 |
||||
"Midnight," etchings, 6 items | 33 |
20 |
||||
"A Miracle!" charcoal and graphite on paper | 33 |
21 |
||||
"A Miracle!" etchings, 5 items | 33 |
22 |
||||
"New Milk," graphite on paper | 33 |
23 |
||||
"New Milk," etchings, 2 items | 33 |
24 |
||||
"New York Welcomes the President-Elect," etchings, 2 items | 33 |
25 |
||||
"O Sweet Music," etchings, 4 items | 33 |
26 |
||||
"Oh!" etchings, 2 items | 33 |
27 |
||||
"Peace Conference," graphite on paper | 1935 | 33 |
28 |
|||
"Peace Conference," etchings, 2 items | 1935 | 33 |
29 |
|||
"Sargasso Sea," etchings, 5 items | 33 |
30 |
||||
Self-portrait with book characters, graphite and pen and ink on paper | 33 |
7 |
||||
Sketch of a boulder with a face, pen and ink on paper | 33 |
6 |
||||
Sketch of children's faces, graphite on board | 36 |
17 |
||||
"Smuggler's Cove," etchings, 4 items | 33 |
31 |
||||
"Something I Ate, No Doubt," graphite on paper | 33 |
32 |
||||
"Something I Ate, No Doubt," etchings, 2 items | 33 |
33 |
||||
"Unbekannte Meister," etchings, 2 items | 33 |
34 |
||||
"The Unfortunate Grocer," graphite and pen and ink on paper with pasted-on text Unused prospective illustration for Laura Elizabeth Howe Richards'
Tirra Lirra: Rhymes Old and New (1932).
|
circa 1932 | 33 |
35 |
|||
Illustration for "The Unfortunate Grocer," graphite and pen and ink on paper with
pasted-on text Unused prospective illustration for Laura Elizabeth Howe Richards'
Tirra Lirra: Rhymes Old and New (1932).
|
circa 1932 | 33 |
36 |
|||
"Wayward Breezes," page 1, pen and ink on paper | 33 |
37 |
||||
"Wayward Breezes," page 2, pen and ink on paper | 33 |
38 |
||||
"We Fix Flats," graphite on paper | 33 |
39 |
||||
"We Fix Flats," etching | 33 |
1 |
||||
"Well, Goodbye," etchings, 3 items | 33 |
40 |
||||
Published Advertisement Art | ||||||
Johns-Manville Asbestos Shingles - Winter, color illustration Published in The House Beautiful magazine.
|
1927 | 26 |
25 |
|||
Johns-Manville Asbestos Shingles - Medieval Women, color illustration Published in The House Beautiful magazine.
|
1927 | 26 |
26 |
|||
Wee Men of Ballywooden | 1930 | |||||
Print of frontispiece, etching | 18 |
10 |
||||
Final art | ||||||
Final art for book jacket for first edition, gouache and pen and ink on board | 34 |
35 |
||||
Final art for title page, pen and ink on paper | 18 |
11 |
||||
Final art for page 1, pen and ink on paper | 18 |
12 |
||||
Final art for page 3, pen and ink on paper | 18 |
13 |
||||
"The Paver of Caves," page 13, pen and ink on paper | 18 |
14 |
||||
Final art for page 14, pen and ink on paper | 18 |
15 |
||||
Final art for page 15, pen and ink on paper | 18 |
16 |
||||
"The Midsummer Mower," page 41, pen and ink on paper | 18 |
17 |
||||
Final art for page 51, pen and ink on paper | 18 |
18 |
||||
"Willie the Wisp," page 61, pen and ink on paper | 18 |
19 |
||||
Final art for page 69, pen and ink on paper | 18 |
20 |
||||
"The Cradle Rocker," page 83, pen and ink on paper | 18 |
21 |
||||
Final art for page 97, pen and ink on paper | 18 |
22 |
||||
Final art for page 125, pen and ink on paper | 18 |
23 |
||||
Final art for page 143, pen and ink on paper | 18 |
24 |
||||
"And the Square Sails Were Set on the Wish-Bone Masts," page 151, pen and ink on paper | 18 |
25 |
||||
"The Pilot," page 159, pen and ink on paper | 18 |
26 |
||||
Final art for page 169, pen and ink on paper | 18 |
27 |
||||
Final art for page 179, pen and ink on paper | 18 |
28 |
||||
"The Stirrer of the Gruel," page 189, pen and ink on paper | 18 |
29 |
||||
"The Look-Out," page 199, pen and ink on paper | 18 |
30 |
||||
Final art for page 239, pen and ink on paper | 18 |
31 |
||||
Final art for page 247, pen and ink on paper | 18 |
32 |
||||
Final art for page 262, pen and ink on paper | 18 |
33 |
||||
Published volumes | ||||||
Vining, Elizabeth Gray.
Adam of the Road. New York: Viking Press Contains Frederick R. Gardner's bookplate on endpaper verso. Also includes a letter
to Robert Lawson from Elizabeth Gray Vining dated March 2, 1942 (2 p. and envelope),
and newspaper clippings of reviews from the New York Times Book Review, the Herald-Tribune,
and an unidentified newspaper.
|
1942 | |||||
Vining, Elizabeth Gray. Adam of the Road. London: Adam and Charles Black | 1943 | |||||
Vining, Elizabeth Gray.
Adam of the Road. London: Adam and Charles Black Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1949 | |||||
Æesop.
Aesop's Fables. New York: Heritage Press Contains Frederick R. Gardner's bookplate on endpaper recto.
|
1941 | |||||
Aesop.
Aesop's Fables. New York: Heritage Press Includes Heritage Club Sandglass newsletter and newspaper clipping of review from
unidentified newspaper. Also contains Frederick R. Gardner's bookplate on endpaper
verso.
|
1941 | |||||
Aesop. Aesop's Fables. New York: Heritage Press | 1941 | |||||
Andersen, Hans Christian.
Adersen's Marchen. Vienna: Gerlach & Wiedling Contains Marie Abrams' bookplate on front board and Frederick R. Gardner's bookplate
on endpaper verso.
|
1906 | |||||
Cantrell, Gary E.
Aspects of Book Collecting: A Handbook with Examples Celebrating an Exhibition at
Adelphia University Library, October 8-December 23, 1977. Garden City, N.Y.: Office
of the Director, Adelphia University Library RBD copy: "Limited to 300 numbered copies. This is no. 192." With an errata slip.
Journal of the Long Island Book Collectors ; no. 4
|
1977 | |||||
Lawson, Robert.
At That Time. New York: Viking Press Copy 1: signed on half-title by Robert Lawson: "My own copy. R. L." Also contains
Frederick R. Gardner's bookplate on endpaper recto and a publisher's advertisement
from The Viking Junior Log dated Nov. 20, 1947. Copy 2: Inscribed on title page by
Robert Lawson: "For dear Nina, who now knows the worst of Rob Lawson."
|
1947 | |||||
Lawson, Robert.
At That Time. London: William Heinemann Limited Includes newspaper clippings of review from the Daily Dispatch, Manchester; Evening
Chronicle, Newcastle-on-Tyne; London Times literary supplement; Liverpool Echo; Books
of To-Day; John O'London's Weekly; Press and Journal, Aberdeen; Evening Gazette, Middlesborough;
Birmingham Mail; and Newcastle Journal. Signed on half-title by Robert Lawson: "My
own copy. R.L. April. 23, 1949." Also contains Frederick R. Gardner's bookplate and
"Not for sale - Sample Complete Copy" label on endpaper recto.
|
1948 | |||||
Lawson, Robert.
Ben and Me: A New and Astonishing Life of Benjamin Franklin, as Written by His Good
Mouse Amos. Boston: Little, Brown and Company Copy 1: Signed on half-title by Robert Lawson: "Robert Lawson, Rabbit Hill, Sept.
1939." Also contains Frederick R. Gardner's bookplate on endpaper verso and newspaper
clippings of reviews from the News Sheet of the Bibliographical Society of America,
the New York Times, and the Boston Transcript. Copy 2: Inscribed on half-title by
Robert Lawson: "For Aunt Nina and Uncle Harold, of whom I am rather fond in spite
of their fondness for cats, dogs, illustrators, etc. Signed, Amos, his mark [drawing
of paw print]. Witnessed, Robert Lawson. Sept. 1939." Also contains advertising flyer,
"A Personal Confession : Robert Lawson tells all."
|
1939 | |||||
Lawson, Robert.
Ben and Me: A New and Astonishing Life of Benjamin Franklin, as Written by His Good
Mouse Amos. Boston: Little, Brown and Company Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1951 | |||||
Neilson, Frances Fullerton.
Ben Franklin. Evanston, Ill.: Row, Peterson and Company Contains Frederick R. Gardner's bookplate on title page.
|
1950 | |||||
Bates, Helen Dixon.
Betsy Ross. New York: McGraw-Hill Book Company, Inc. Contains Frederick R. Gardner's bookplate on endpaper verso, and a Christmas card
featuring the Betsy Ross house.
|
1936 | |||||
Espicopal Church.
The Book of Common Prayer, and Administration of the Sacraments, and Other Rites and
Ceremonies of the Church According to the Use of the Protestant Episcopal Church in
the United States of America : Together with the Psalter or Psalms of David. Oxford:
University Press Bound with ten pages at front that include forms for certificates of confirmation
and matrimony. Completed with manuscript additions recording the confirmation of Marie
Abrams, and her marriage to Robert Lawson. Includes inscriptions to Marie Abrams from
her aunts Rita [?] and Gertrude, and rector Zebulon S. Farland. Bound in bone; moire´
doublures; gilt and red edges. With black leather box lined in ivory silk.
|
1898 | |||||
Dickens, Charles. Boots of the Holly-Tree Inn. New York: Harper & Brothers Publishers | 1928 | |||||
Lawson, Robert.
Captain Kidd's Cat: Being the True and Dolorous Chronicle of Wm Kidd, Gent. & Merchant
of New York, Late Captain of the Adventure Galley; of the Vicissitudes Attending His
Unfortunate Cruise in Eastern Waters, of His Incarceration in Newgate Prison, of His
Unjust Trial and Execution, as Narrated by His Faithful Cat, McDermot, Who Ought to
Know. Boston: Little, Brown and Company Copy 1: Signed on title page by Robert Lawson: "My own copy. R.L. 1955." Also contains
Frederick R. Gardner's bookplate on endpaper verso and newspaper clippings of reviews
from the Herald Tribune, the New York Times, and an unidentified magazine. Copy 2:
Inscribed on half-title by Robert Lawson: "For Nina and Harold with much love. Rob.
Rabbit Hill, Jan, 1956."
|
1956 | |||||
Bookstall.
Catalogue 15. San Francisco: The Bookstall Includes a list of the writings and illustrations of Robert Lawson for sale, p. [3-6].
Reproduces illustrations by Lawson on p. [1], [4], [6], [7], and [24].
|
1982 | |||||
Wickes, Frances G.
A Child's Book of Holiday Plays. New York: The Macmillan Company Note written by an unknown person on front endpaper recto in pencil: "Mercer Carlett
Christmas 1916 from Marie Abrams." Last ten pages are torn, with part of pp. 201-202
missing. The blank page following p. 209 has been excised.
|
1916 | |||||
Lawson, Robert. La colina de los conejos. Buenos Aires: Editorial Acme S.A.C.I. Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1959 | |||||
Lawson, Robert.
La colline aux lapins. Paris: E´ditions de Marly, Librarie Plon Contains Frederick R. Gardner's bookplate on endpaper recto.
|
1947 | |||||
Lawson, Robert. The Connecticut Cookbook: Being a Collection of Recipes from Connecticut Kitchens, Equally Adapted for Wartime and Peacetime. New York: Harper & Brothers Publishers | 1944 | |||||
Lawson, Robert.
Country Colic: Being Sundry Remarks and Observations Concerning the Joys, Perils &
Vexations of Rustic Residence Together With Certain Suggestions of a Cautionary Nature
For the Enlightenment & Guidance of the Inexperienced. Toronto: McClelland and Stewart,
Limited With Little, Brown and Company dust jacket.
|
1944 | |||||
Lawson, Robert.
Country Colic: Being Sundry Remarks and Observations Concerning the Joys, Perils &
Vexations of Rustic Residence Together With Certain Suggestions of a Cautionary Nature
For the Enlightenment & Guidance of the Inexperienced. Boston: Little, Brown and Company Copy 1: Signed on title page by Robert Lawson: "My own copy. R.L. Jan. 31, 1944."
Includes newspaper clippings of reviews from the New York Times and the Herald Tribune.
Also contains Frederick R. Gardner's bookplate on endpaper verso. Copy 2: Inscribed
on paste-in on half-title by Robert Lawson: "For dear Nina, who has learned all this
- the hard way. Rob. Rabbit Hill, 1956." Earlier inscription on half-title by Robert
Lawson, pasted over: "To Minka, who knows all about these things, with much love,
Robin. Jan. 31, 1944,"
|
1944 | |||||
Stephens, James.
The Crock of Gold. New York: Limited Editions Club Signed by Lawson, number 348 of 1500. Also contains Frederick R. Gardner's bookplate
on endpaper verso.
|
1942 | |||||
Leaf, Munro.
El cuento de Ferdinando. New York: The Viking Press Signed on half-title by Pura Belpre´. Also contains Frederick R. Gardner's bookplate
on endpaper verso and advertising flyer from Viking Press.
|
1962 | |||||
Carryl, Charles E.
Davy and the Goblin: Or, What Followed Reading "Alice's Adventures in Wonderland."
Boston: Houghton Mifflin Company. Inscribed on endpaper recto by Marie Lawson: "Robert Lawson, from Marie, Christmas
1926." Also contains Frederick R. Gardner's bookplate on endpaper recto and bookseller's
label on back board.
|
1913 | |||||
Lawson, Robert.
Dick Whittington & His Cat. New York: Limited Editions Club Signed on half-title by Robert Lawson: "My own copy. Robert Lawson." Also contains
Frederick R. Gardner's bookplate on endpaper verso. Unnumbered presentation copy.
Bears embossed stamp: "This is one of 15 presentation copies, out of series."
|
1949 | |||||
Lawson, Marie A.
Dragon John. New York: The Viking Press Copy 1: Inscribed on half-title by Marie Lawson: "For Vrinka, with a heartful of love
and much gratitude - for without her aid and encouragement nothing would ever be done.
T. Rabbit Hill, September 18th, 1943, Marie A. Lawson." Also contains Frederick R.
Gardner's bookplate on endpaper verso. Copy 2: Inscribed on half-title by Marie Lawson:
"For Nina with much love from Marie."
|
1943 | |||||
Sterne, Emma Gelders.
Drums of Monmouth. New York: Dodd, Mead & Company Inscribed on half-title by Robert Lawson: "Robert Lawson, with affection and gratitude.
Emma Gelders Sterne, October 1935." Also contains Frederick R. Gardner's bookplate
on endpaper verso.
|
1935 | |||||
Lawson, Robert.
Dyrehaugen. Oslo: H. Aschehoug, & Co. Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1946 | |||||
Lawson, Robert.
Edward, Hoppy and Joe. New York: Alfred A. Knopf Signed on title page by Robert Lawson: "My own copy. R.L." Also includes newspaper
clippings of reviews from the Chicago Tribune, the New York Times, the Morristown
Daily Record, the Philadelphia Inquirer, and the New York Herald-Tribune. Contains
Frederick R. Gardner's bookplate on endpaper verso.
|
1952 | |||||
Elementary English, vol. XLVII, no. 1. Champaign, Ill: The National Council of Teachers
of English RBD copy: Contains Frederick R. Gardner's bookplate on cover verso. A letter dated
Feb. 6, 1970, from Anne [Annette H.] Weston to Frederick R. Gardner is laid in on
p. 1.
|
1970 | |||||
Moore, Colleen.
The Enchanted Castle. Garden City, N.Y.: Garden City Publishing Company Inc. Inscribed on half-title by Colleen Moore: "For Mother, all good wishes, Colleen Moore."
|
1935 | |||||
Edwards, Harry Stillwell.
Eneas Africanus. Macon, Ga.: J.W. Burke Company Signed on half-title by Robert Lawson: "Robert Lawson, 1920."
|
1920 | |||||
The Evergreen Tales: Or, Tales for the Ageless. New York: Limited Editions Club Library holds volumes 1-3 only, in slipcase and glassines. "This edition consists
of twenty-five hundred numbered copies, of which this is number 614."--Colophon. Dick
Whittington & His Cat signed on colophon by illustrator Robert Lawson and General
Editor Jean Hersholt.
|
1949-1952 | |||||
Lawson, Robert.
The Fabulous Flight. Boston: Little, Brown and Company Copy 1: Signed on half-title by Robert Lawson: "My own copy. R. L." Also includes
newspaper clippings of reviews from the Chicago Sunday Tribune, the Herald Tribune,
the Saturday Review, the New York Times, and an unidentified newspaper. Contains Frederick
R. Gardner's bookplate on endpaper verso. Copy 2: Inscribed on half-title by Robert
Lawson: "For Nina with much love, Rob Lawson." Also includes newspaper clipping of
review from unidentified newspaper.
|
1949 | |||||
Leaf, Munro.
Ferdinand. Denmark: G. E. C. Gads Forlag Contains Frederick R. Gardner's bookplate on endpaper recto.
|
1959 | |||||
Leaf, Munro.
Ferdinand. Zurich: Diogenes Contains Frederick R. Gardner's bookplate on p. [1].
|
1970 | |||||
Leaf, Munro. Ferdinand der Stier. Munich: Parabel Verlag | 1965 | |||||
Leaf, Munro.
Ferdinand, der Stier. Zurich: Verlag Amstutz & Herdeg Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1957 | |||||
Leaf, Munro.
Ferdinandus taurus. New York: David McKay Company, Inc Inscribed on half-title by Elizabeth Hadas: "To Frederick R. Gardner, with sincere
good wishes, from the translator, Elizabeth C. Hadas a.d. viiii Id. Mar. 1962." Includes
newspaper clipping from an undidentified newspaper and a letter dated March 12, 1962,
from Sylvia Dudley (associate editor of the David McKay Company) to Frederick R. Gardner.
Also contains Frederick R. Gardner's bookplate on endpaper recto.
|
1962 | |||||
Fish, Helen Dean.
Four & Twenty Blackbirds: Nursery Rhymes of Yesterday Recalled for Children of To-day.
New York: Frederick A. Stokes Company RBD copy 1: Inscribed to Marie Lawson by Robert Lawson on half-title: "For Marie with
love. September 1937. Robert Lawson." Also contains Frederick R. Gardner's bookplate
on endpaper verso, and newspaper clippings of reviews from the Herald Tribune and
an unidentified newspaper.
|
1937 | |||||
Helen Dixon Bates.
Francis Scott Key. New York: Whittlesey House, McGraw-Hill Book Company, Inc. Contains Frederick R. Gardner's bookplate on endpaper verso. Rear endpaper mutilated.
|
1936 | |||||
Mason, Arthur.
From the Horn of the Moon. Garden City, N.Y.: Doubleday, Doran & Company, Inc. RBD copy 3: With dust jacket. Bookseller's label on back endpaper.
|
1931 | |||||
Mason, Arthur. From the Horn of the Moon. Garden City, N.Y.: Garden City Publishing Co., Inc. | 1937 | |||||
Mason, Arthur.
From the Horn of the Moon. Garden City, N.Y.: Garden City Publishing Co., Inc. Includes letter from printer, Sally Secrist, to Howell J. Heaney of the Rare Book
Department of Free Library of Philadelphia. Also includes handwritten annotation by
Howell J. Heaney describing the circumstances of the book's reprinting.
|
1937 | |||||
Brewton, John E.
Gaily We Parade: A Collection of Poems About People, Here, There & Everywhere. New
York: The Macmillan Company Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1940 | |||||
Lawson, Robert.
Giv'at ha-shefanim. Tel Aviv: Yosef S´reberk Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1968 | |||||
Lawson, Robert.
Gluckliche Tage: Eine Hasengeschichte. Vienna: Verlag fur Jugend und Volk Contains Frederick R. Gardner's bookplate on endpaper recto.
|
1957 | |||||
Brentano, Clemens.
Gockel, Hinkel und Gackeleia. Vienna: Verlag von Gerlach & Wiedling Contains Marie Abrams' bookplate on front board and Frederick R. Gardner's bookplate
on endpaper verso.
|
1908 | |||||
Golden Book Magazine, v. 14, no. 80. New York: The Review of Reviews Corporation Illustration by Robert Lawson, "The Merrow" on p. 28a.
|
1931 | |||||
Golden Book Magazine, v. 14, no. 82. New York: The Review of Reviews Corporation Illustration by Robert Lawson, "The Happy Valley - Autumn" on p. 28a.
|
1931 | |||||
Golden Book Magazine, v. 17, no. 101. New York: The Review of Reviews Corporation Illustration by Robert Lawson, "The Huntress" on p. 18a.
|
1933 | |||||
Golden Book Magazine, v. 17, no. 108. New York: The Review of Reviews Corporation Illustration by Robert Lawson, "Christmas Eve" on p. 26a.
|
1933 | |||||
Golden Book Magazine, v. 19, no. 110. New York: The Review of Reviews Corporation Illustration by Robert Lawson, "The Golden Age" on p. 26a.
|
1934 | |||||
Golden Book Magazine, v. 19, no. 114. New York: The Review of Reviews Corporation Illustration by Robert Lawson, "Something I Ate, No Doubt!" on p. 8a.
|
1934 | |||||
Coatsworth, Elizabeth Jane.
The Golden Horseshoe. New York: The Macmillan Company Contains Frederick R. Gardner's bookplate on endpaper verso. Also includes a typewritten
copy of a letter by Elizabeth Coatsworth to "Miss Pattee" dated June 15, 1935, describing
her approval of Lawson's illustrations.
|
1935 | |||||
Lawson, Robert.
The Great Wheel. New York: Viking Press Copy 1: Contains Frederick R. Gardner's bookplate on endpaper verso. Copy 2: Contains
newspaper clippings regarding the Crystal Palace from the New York Times and the Christian
Science Monitor.
|
1957 | |||||
Robinson, Thomas P.
Greylock and the Robins. New York: Viking Press Signed by Robert Lawson on second half-title, "My copy. R.L." Also contains Frederick
R. Gardner's bookplate on endpaper verso. Also includes newspaper clippings of reviews
from the New York Times, Herald Tribune, and Saturday Review of Literature pasted
in on first half-title.
|
1946 | |||||
Sleigh, Bernard.
A Guide to the Map of Fairyland. London: Sidgwick & Jackson Written in pencil on p. 1: "Rbt. Lawson's Estate." Possibly Robert Lawson's copy.
|
1918 | |||||
Lawson, Marie A.
Hail Columbia. Garden City, N.Y.: Double, Doran & Company Contains Frederick R. Gardner's bookplate on endpaper verso. Also includes handwritten
notes by an unknown person regarding Marie Lawson's bibliography and obituary in pencil
on back endpaper recto.
|
1931 | |||||
Lawson, Robert.
Hana saki martin. Tokyo: Dai Nihon Yubenkai Kodansha Includes original bellyband in two pieces, and Frederick R. Gardner's bookplate on
endpaper verso. Also contains Kodansha inspection stamp.
|
1957 | |||||
Leaf, Munro.
Hana no suki na ushi. Tokyo: Iwanami Shoten Includes paper bookmark in Japanese, advertising The story of Ferdinand and other
children's books. Contains Frederick R. Gardner's bookplate on endpaper recto.
|
1954 | |||||
Marquand, John P.
Haven's End. Boston: Little, Brown and Company Contains Frederick R. Gardner's bookplate on endpaper recto. Bears dust jacket of
a later reprint.
|
1933 | |||||
Haines, William Wister.
High Tension. Boston: Little, Brown and Company Contains Frederick R. Gardner's bookplate on half-title.
|
1938 | |||||
Haines, William Wister.
High Tension. Rockefeller Center, N.Y.: Pocket Books, Inc. Copy 1: Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1948 | |||||
A Horn Book Calendar for the Year 1967. Boston: Horn Book | 1966 | |||||
The Horn Book Magazine, vol. XVI, no. 1, January-Feburary 1940. Boston: The Horn Book,
Inc. RBD copy: Contains Frederick R. Gardner's bookplate on cover verso. Annotated on cover:
"Helen Dean Fish on Lawson."
|
1940 | |||||
The Horn Book Magazine, vol. XVI, no. 3, May-June 1940. Boston: The Horn Book, Inc. RBD copy: Contains Frederick R. Gardner's bookplate on cover verso. Annotated on cover:
"Macy on Rackham, Lawson On Rackham."
|
||||||
The Horn Book Magazine, vol. XVI, no. 6, November-December 1940. Boston: The Horn
Book, Inc. RBD copy: Contains Frederick R. Gardner's bookplate on cover verso. Annotated on cover:
"Make Me a Child Again - Lawson."
|
1940 | |||||
The Horn Book Magazine, vol. XXI, no. 4, July-August 1945. Boston: The Horn Book,
Inc. RBD copy: Contains Frederick R. Gardner's bookplate on cover verso. Annotated on cover:
"Marie on R.L., Newbery Acceptance Speech - Lawson."
|
1945 | |||||
The Horn Book Magazine, vol. XXXIII, no. 4, August 1957. Boston: The Horn Book, Inc. RBD copy: Contains Frederick R. Gardner's bookplate on cover verso. Annotated on cover:
"Lawson obituary."
|
1957 | |||||
Bianco, Margery Williams.
The Hurdy-Gurdy Man. London: Oxford University Press Contains Frederick R. Gardner's bookplate on endpaper recto.
|
1933 | |||||
Lawson, Robert.
I Discover Columbus: A True Chronicle of the Great Admiral & His Finding of the New
World, Narrated by the Venerable Parrot Aurelio, Who Shared in the Glorious Venture.
Boston: Little, Brown and Company Copy 1: Contains Frederick R. Gardner's bookplate on endpaper verso. Copy 2: Signed
on half-title by Robert Lawson: "Robert Lawson. Rabbit Hill, Westport, Conn." Also
contains Frederick R. Gardner's bookplate on endpaper verso and newspaper clippings
of reviews from the New York Times and the New York Herald-Tribune. This copy has
both its original dust jacket and a color dust jacket from a later printing. Copy
3: Inscribed on half-title by Robert Lawson: "To dear Harrol and Nina, from their
favorite illustrator Robbie Lawson. Sept. 5, 1941." Also contains newspaper clippings
of illustrations printed in the New York Sun.
|
1941 | |||||
Lawson, Robert.
I Discover Columbus: A True Chronicle of the Great Admiral & His Finding of the New
World, Narrated by the Venerable Parrot Aurelio, Who Shared in the Glorious Venture.
London: George G. Harrap & Co. Ltd. Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1943 | |||||
Barnes, Ruth A.
I Hear America Singing: An Anthology of Folk Poetry. Chicago: The John C. Winston
Company Contains Frederick R. Gardner's bookplate on endpaper verso and a letter from Ruth
A. Barnes to Robert Lawson dated November 25, 1937.
|
1937 | |||||
Rosmer, Jean.
In Secret Service: A Mystery Story of Napoleon's Court. Philadelphia: J. B. Lippincott
Company Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1937 | |||||
Journal of the Long Island Book Collectors, no. 1. Roslyn, N.Y.: Long Island Book
Collectors RBD copy: "Of this issue of The Journal of the Long Island Book Collectors, 300 copies
have been printed. Nos. 1-100 are not for sale. This is number 30."--Colophon. Inscribed
by Frederick Gardner on front cover: "Best wishes to you and for staff, Xmas 1969,
Fred Gardner."
|
1969 | |||||
Journal of the Long Island Book Collectors, no. 2. Greenvale, N.Y.: Long Island Book
Collectors RBD copy: "Of this issue of The Journal of the Long Island Book Collectors, 300 copies
have been printed. Nos. 1-100 are not for sale. This is number Not for Sale Review
Copy."--Colophon.
|
1972 | |||||
Journal of the Long Island Book Collectors, no. 3. Greenvale, N.Y.: Long Island Book
Collectors RBD copy: "Limited to 300 Numbered Copies. This is No. 179."--Colophon.
|
1975 | |||||
Kipling, Rudyard.
Just So Stories for Little Children. New York: Doubleday, Page & Company. Inscribed on endpaper recto: "Marie Abrams - 1902 - from Frances." Contains Marie
Abrams' bookplate on front board and Frederick R. Gardner's bookplate on endpaper
recto.
|
1902 | |||||
Grimm, Jacob.
Kinder- und Hausmarchen nach Sammlung der Bruder Grimm. Vienna: Gerlach & Wiedling The Rare Book Department holds v. 1 and 3 (no. 5) only. Both volumes contain Marie
Abrams' bookplate on front board and Frederick R. Gardner's bookplate on endpaper
verso. V. 3 (no. 5) also includes a bookseller's label on endpaper verso.
|
1900 | |||||
Teal, Val.
The Little Woman Wanted Noise. Chicago: Rand McNally & Company Contains Frederick R. Gardner's bookplate on endpaper recto and newspaper clipping
of review from the Herald Tribune.
|
1943 | |||||
Teal, Val. The Little Woman Wanted Noise. New York: Partridge Press, Inc. | 1972 | |||||
Lawson, Robert.
Der Mann, der mit dem Elefanten sprach. Munich: Wilhelm Langewiesche-Brandt Contains Frederick R. Gardner's bookplate on endpaper recto. Also includes a fan letter
dated Feb. 25, 1951 from Vera Mense to Robert Lawson, and an English translation of
the letter.
|
1952 | |||||
Potter, Mary.
Mathematics for Success. Boston: Ginn and Company Contains Frederick R. Gardner's bookplate on endpaper recto.
|
1952 | |||||
William Allen White Memorial Library. The May Massee Collection: Creative Publishing for Children, 1923-1963, a Checklist: William Allen White Library, Emporia State University, Emporia, Kansas. Emporia, KS: Emporia State University | 1979 | |||||
Lawson, Robert.
McWhinney's Jaunt. Boston: Little, Brown and Company Signed on half-title by Robert Lawson: "My own copy. R.L." Also contains Frederick
R. Gardner's bookplate on endpaper recto and newspaper clippings of reviews from the
New York Times, the Herald Tribune, and an unidentified newspaper.
|
1951 | |||||
Pyle, Howard.
Men of Iron. New York: Harper & Brothers Publishers. Signed on front endpaper recto by Robert Lawson: "Robert Ripley Lawson. Christmas,
1908." Also contains Frederick R. Gardner's bookplate on endpaper recto.
|
1891 | |||||
Sterne, Emma Gelders.
Miranda Is a Princess: A Story of Old Spain. New York: Dodd, Mead & Company Contains Frederick R. Gardner's bookplate on endpaper verso and newspaper clipping
of a book review from the New York Times.
|
1937 | |||||
Atwater, Richard.
Mr. Popper's Penguins. Boston: Little, Brown and Company Copy 1: Contains Frederick R. Gardner's bookplate on endpaper verso and newspaper
clippings of reviews from the New York Times, the New York Herald Tribune, and the
Herald Tribune. Copy 2: Inscribed on title page by Robert Lawson: "To Nina, with love
and penguins. Robert Lawson."
|
1938 | |||||
Lawson, Robert.
Mr. Revere and I: Being an Account of Certain Episodes in the Career of Paul Revere,
Esq. As Recently Revealed by His Horse, Scheherazade, Late Pride of His Royal Majesty's
14th Regiment of Foot. Boston: Little, Brown and Company Copy 1: Signed on half-title by Robert Lawson: "My own copy. R. L." Also contains
Frederick R. Gardner's bookplate on endpaper verso. Copy 2: Inscribed on half-title
by Robert Lawson: "For Nina, who, like Sherzy, became a good American - with much
love, Robbie L. Rabbit Hill. - Aug. 1953."
|
1953 | |||||
Lawson, Robert.
Mr. Revere and I: Being an Account of Certain Episodes in the Career of Paul Revere,
Esq. As Recently Revealed by His Horse, Scheherazade, Late Pride of His Royal Majesty's
14th Regiment of Foot. Boston: Little, Brown and Company Copy 1: "This is number 298 of a special edition limited to 500 copies signed by the
author." Signed on leaf laid in by Robert Lawson. Also contains Frederick R. Gardner's
bookplate on endpaper verso. Copy 2: "This is number 267 of a special edition limited
to 500 copies signed by the author." Signed on leaf laid in by Robert Lawson. Also
contains Frederick R. Gardner's bookplate on page [1] and on envelope of plates. Copy
3: "This is number K of a special edition limited to 500 copies signed by the author."
Inscribed on leaf laid in by Robert Lawson: "For Nina Bowman, Robert Lawson." Also
contains Frederick R. Gardner's bookplate on envelope of plates.
|
1953 | |||||
Lawson, Robert.
Mr. Twigg's Mistake. Boston: Little, Brown and Company Copy 1: Contains Frederick R. Gardner's bookplate on endpaper verso and newspaper
clippings of reviews from the Herald Tribune and the New York Times. Copy 2: Inscribed
on paste-in on half-title by Robert Lawson: "For dear Nina, with much love as always.
Rob." Earlier inscription on half-title by Robert Lawson, pasted over: "For Junior
with much love as always. Robin, Sept. 20, 1947." Bears variant dust jacket. Copy
3: Bears variant dust jacket.
|
1947 | |||||
Lawson, Robert.
Mr. Wilmer. Boston: Little, Brown and Company Signed on half-title by Robert Lawson: "My own copy. Robert Lawson." Also contains
Frederick R. Gardner's bookplate on endpaper recto.
|
1945 | |||||
Lawson, Robert.
Mr. Wilmer. Boston: Little, Brown and Company Signed by Robert Lawson on bookplate issued by the High Production Machine Co., Inc.,
pasted to endpaper recto.
|
1946 | |||||
Lawson, Robert.
Mr. Wilmer. Boston: Little, Brown and Company Inscribed on half-title by Robert Lawson: "For dear Nina, with love - Rob." Also includes
a newspaper clipping from the New York Times.
|
1948 | |||||
Keim, Franz.
Die Nibelungen dem Deutschen Volke. Vienna: Gerlach u. Wiedling Contains Marie Abrams' bookplate on front board and Frederick R. Gardner's bookplate
on endpaper verso.
|
1920 | |||||
Perrault, Charles.
Old-Time Stories. New York: Dodd, Mead, & Company. Contains Marie Abrams' bookplate on front board, Frederick R. Gardner's bookplate
on endpaper recto, and bookseller's label on back board.
|
1921 | |||||
Farjeon, Eleanor.
One Foot in Fairyland: Sixteen Tales. New York: Frederick A. Stokes Company Copy 1: Contains Frederick R. Gardner's bookplate on endpaper recto. Copy 2: Variant
endpaper. Last 6 pages unopened. Front of dust jacket has large areas of paper loss.
|
1938 | |||||
Pyle, Howard.
Otto of the Silver Hand. New York: Charles Scribner's Sons. Annotated on endpaper: "Robert Lawson's estate." Contains Frederick R. Gardner's bookplate
on endpaper recto. Back board off.
|
1909 | |||||
Ring, Barbra.
Peik. Boston: Little, Brown and Company Contains Frederick R. Gardner's bookplate on endpaper recto.
|
1932 | |||||
Pyle, Howard.
Pepper & Salt, or, Seasoning for Young Folk. New York: Harper and Brothers Printers
and Publishers. Signed on front endpaper recto by Marie Lawson: "Marie Lawson." Also contains Frederick
R. Gardner's bookplate on endpaper recto.
|
1886 | |||||
Bunyan, Paul.
Pilgrim's Progress. New York: Frederick A. Stokes Company Copy 1: Contains Frederick R. Gardner's bookplate, and newspaper clippings of reviews
from the Tribune and an unidentified newspaper, on endpaper verso. A letter dated
June 6, 1939 from Helen Dean Fish (editor at Frederick A. Stokes Company) to Robert
Lawson is also enclosed. Copy 2: Inscribed on half-title by Robert Lawson: "For Harold
+ Nina. With much (affection) and (best wishes). Robbie Lawson. Sept. 1939."
|
1939 | |||||
Bunyan, John.
The Pilgrim's Progress: In Words of One Syllable. New York: McLoughlin Brothers. Copy 1: Annotated on front board by Marie Lawson: "This book was given me by my 'Mammy'
on Christmas when I was three years old. 'Mammy' - Pauline Crawford . . ." Signed
on endpaper recto by Marie Lawson: "Marie Abrams." Contains Marie Abrams' bookplate
on front board and Frederick R. Gardner's bookplate on endpaper recto. This copy has
become disbound.
|
1884 | |||||
Hall, William.
O pintarroxo fazedor de lacos. Sao Paolo: Edicoes Melhoramentos Contains Frederick R. Gardner's bookplate on endpaper recto. Date of publication based
on original publication in English and date of donation.
|
1945 | |||||
Lawson, Marie A.
Poccahontas and Captain John Smith: The Story of the Virginia Colony. New York: Random
House Inscribed by Marie Lawson on half-title: "For Nina with much love from Marie."
|
1950 | |||||
Forester, C.S.
Poo-Poo and the Dragons. Boston: Little, Brown and Company Contains Frederick R. Gardner's bookplate on endpaper verso and a newspaper clipping
of review from the New York Herald Tribune.
|
1942 | |||||
The Portal: A Paper for Girls - Continuing the Sunday School Advocate, vol. XCV, no.
36. Cincinnati: The Methodist Book Concern Includes illustrations by Robert Lawson for Elizabeth Coatsworth's story "The Golden
Horseshoe" on p. 3. Provenance: Donated by Frederick R. Gardner.
|
1935 September 7 | |||||
The Portal: A Paper for Girls - Continuing the Sunday School Advocate, vol. XCV, no.
37. Cincinnati: The Methodist Book Concern Includes illustrations by Robert Lawson for Elizabeth Coatsworth's story "The Golden
Horseshoe" on p. 3. Provenance: Donated by Frederick R. Gardner.
|
1935 September 14 | |||||
The Portal: A Paper for Girls - Continuing the Sunday School Advocate, vol. XCV, no.
39. Cincinnati: The Methodist Book Concern Includes illustrations by Robert Lawson for Elizabeth Coatsworth's story "The Golden
Horseshoe" on p. 3. Provenance: Donated by Frederick R. Gardner.
|
1935 September 28 | |||||
The Portal: A Paper for Girls - Continuing the Sunday School Advocate, vol. XCV, no.
40. Cincinnati: The Methodist Book Concern Includes illustrations by Robert Lawson for Elizabeth Coatsworth's story "The Golden
Horseshoe" on p. 1. Provenance: Donated by Frederick R. Gardner.
|
1935 October 5 | |||||
The Portal: A Paper for Girls - Continuing the Sunday School Advocate, vol. XCV, no. 42. Cincinnati: The Methodist Book Concern | 1935 October 19 | |||||
Twain, Mark. The Prince and the Pauper. Chicago: The John C. Winston Company | 1937 | |||||
Twain, Mark.
The Prince and the Pauper. Chicago: The John C. Winston Company Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1937 | |||||
Lang, Andrew.
Prince Prigio. Boston: Little, Brown and Company Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1942 | |||||
Lawson, Robert.
Rabbit Hill. New York: The Viking Press Copy 1: Signed on title page by Robert Lawson: "My own copy. R. L." Also contains
Frederick R. Gardner's bookplate on endpaper verso and newspaper clippings of reviews
from the New York Times and the New York Herald Tribune, as well as an advertising
flyer from Viking Press. Copy 2: Inscribed on title page by Robert Lawson: "For K.T.
- our first copy. Robin. Sept. 1944." Also contains Frederick R. Gardner's bookplate
on endpaper verso. A letter dated October 16, 1944 from Roger L. Scaife at Little,
Brown & Company to Robert Lawson, regarding Scaife's decision not to print "Rabbit
Hill" under his imprint, is also enclosed. Copy 3: Signed on half-title by Robert
Lawson: "Robert Lawson." Also contains Frederick R. Gardner's bookplate on endpaper
verso. Copy 4: Inscribed on half-title by Robert Lawson: "For Nina, who loves rabbits
and, I hope, Robbie. Dec. 1944."
|
1944 | |||||
Lawson, Robert.
Rabbit Hill. London: George G. Harrap & Co., Ltd. Signed on half-title by Robert Lawson: "My own copy R. L. Jan. 2, 1948." Also contains
Frederick R. Gardner's bookplate and "Not for sale - Sample Complete Copy" label on
endpaper recto.
|
||||||
Lawson, Robert.
Robbut: A Tale of Tails. New York: Viking Press Copy 1: Inscribed on half-title by Robert Lawson: "To Minka with much love. Robin.
Sept. 22. 1948." Also contains Frederick R. Gardner's bookplate on endpaper verso.
Copy 2: Signed on half-title by Robert Lawson: "My own copy. R.L. Sept. 1948." Includes
newspaper clippings of reviews from the Saturday Review, the New York Times, and the
Herald Tribune. Also contains Frederick R. Gardner's bookplate on p. [1].
|
1948 | |||||
Lawson, Robert.
Robbut: A Tale of Tails. London: William Heinemann, Ltd. Signed on half-title by Robert Lawson: "My own copy. Robert Lawson." Also contains
Frederick R. Gardner's bookplate and "Not for sale - Sample Complete Copy" label on
endpaper recto.
|
1949 | |||||
Lawson, Robert. Robbut: A Tale of Tails. Boston: Gregg Press | 1981 | |||||
Weston, Annette. Robert Lawson: Author and Illustrator | 1964 | |||||
Lawson, Robert.
Robert Lawson, Illustrator: A Selection of His Characteristic Illustrations. Boston:
Little, Brown and Company Contains Frederick R. Gardner's bookplate on endpaper recto. Includes newspaper clippings
of reviews from the New York Times and an unidentified journal as well as a letter
dated February 6, 1973, from Frederick R. Gardner to Helen L. Jones, and a reply dated
February 13, 1973 from John G. Keller (editor at Little, Brown).
|
1972 | |||||
Gardner, Frederick R.
Robert Lawson On My Shelves. Philadelphia: Free Library of Philadelphia Originally published in: The Journal of the Long Island book collectors ; no. 3 (1975)
With additional ill.
"Six hundred copies of this keepsake have been printed for distribution in November
of 1977."--p. [4].
"This keepsake is issued in appreciation of Frederick R. Gardner's gift to the Free
Library of Philadelphia of his collection of drawings, manuscripts, books, and mementos
of Robert Lawson"--p. [5].
|
1977 | |||||
Lawson, Robert.
Robito, el envidioso. Buenos Aires: Editorial Acme S.A.C.I. Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1958 | |||||
Mason, Arthur.
The Roving Lobster. Garden City, NY: Doubleday, Doran, & Company, Inc. Copy 1: Contains Frederick R. Gardner's bookplate on endpaper recto. Lacks dust jacket.
Copy 2: Contains Catherine McDonald's bookplate on endpaper recto and bookseller's
label on back endpaper. With dust jacket.
|
1931 | |||||
Schwab, Gustav.
Die Schildburger. Vienna: Verlag von Gerlach & Wiedling Contains Marie Abrams' bookplate on front board and Frederick R. Gardner's bookplate
on endpaper verso.
|
1911 | |||||
Lawson, Marie A.
The Sea Is Blue. New York: The Viking Press Copy 1: Inscribed on half-title by Marie Lawson: "For Sir Cateen with love, T. November
14th 1946." Reinscribed on second half-title by Marie Lawson: "For Peggy with love,
Marie." Also signed on second half-title by Marie Lawson: "Marie A. Lawson, Rabbit
Hill, Westport, Connecticut." Contains Frederick R. Gardner's bookplate on endpaper
verso. Copy 2: Inscribed on half-title by Marie Lawson: "For Nina and 'Arold' with
much love, Marie." Also includes newspaper clipping of advertisement for "Strange
Sea Stories" by Marie Lawson.
|
1946 | |||||
Gale, Elizabeth.
Seven Beads of Wampum. New York: The Junior Literary Guild Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1936 | |||||
Shakespeare, William.
Shakespeare's Comedy of A Midsummer-Night's Dream. New York: Henry Holt and Company. Contains Marie Abrams' bookplate on front board and Frederick R. Gardner's bookplate
on endpaper recto.
|
1914 | |||||
Hall, William Norman.
The Shoelace Robin. New York: Thomas Y. Crowell Signed on half-title by Robert Lawson: "My own copy. R. L." Also contains Frederick
R. Gardner's bookplate on endpaper recto and newspaper clippings of reviews from the
New York Times and the Herald Tribune.
|
1945 | |||||
Haines, William Wister.
Slim. Boston: Little, Brown and Company Signed by author on page following t.p. Contains Frederick R. Gardner's bookplate
on endpaper verso and letter dated July 24, 1934, from William Wister Haines to Robert
Lawson.
|
1934 | |||||
Haines, William Wister.
Slim. Boston: Little, Brown, and Co. Contains Frederick R. Gardner's bookplate on endpaper recto.
|
1934 | |||||
Lawson, Robert.
Smeller Martin. New York: The Viking Press Copy 1: Signed on half-title by Robert Lawson: "My own copy. R. L." Also contains
Frederick R. Gardner's bookplate on endpaper recto and newspaper clippings of reviews
from the Philadelphia Inquirer and the New York Herald-Tribune. Copy 2: Inscribed
on title page by Robert Lawson: "For Nina with much love, Rob." Also includes a letter
of advertisement from the publisher. Half-title has been excised.
|
1950 | |||||
De la Mare, Walter.
Songs of Childhood. London: Longmans, Green, and Co. Signed on endpaper recto: "Robert Lawson." Also contains Frederick R. Gardner's bookplate
on front board.
|
1918 | |||||
Leaf, Munro.
The Story of Ferdinand. New York: The Viking Press Copy 1: Inscribed on title page by Munro Leaf: "To Marie who laughed, cried, aided,
abetted and above all encouraged until - there was Ferdinand. With a large bough from
my favorite cork-tree, Mun." Also contains Frederick R. Gardner's bookplate on endpaper
verso. First printing. Copy 2: Inscribed on front endpaper verso by Robert Lawson:
"To Minka who watched his first unsteady footsteps + whose interest and enthusiasm
helped so much. Robin, Aug. 8, 1936." Includes newspaper clippings from unidentified
newspapers, a carbon copy of an "Ode to Ferdinand" by Robert Smaridge published in
the Saturday Review of Literature, and a clipping of a listing in a rare book dealer's
catalogue for another copy of this edition. Also contains Frederick R. Gardner's bookplate
on endpaper verso. First printing. Copy 3: Inscribed on title page by Munro Leaf:
"To Rob - what the hell can I say about this bull to you. Munro Leaf (Mun)." Includes
newspaper clippings from the New York Times and unidentified newspapers. Also contains
Frederick R. Gardner's bookplate on endpaper verso. First printing. Copy 4: Inscribed
on title page by Robert Lawson: "With love to Nina, Robert Lawson." Signed on front
endpaper verso by Nina Bowman. First printing. Copy 5: Inscribed on title page by
Robert Lawson: "Little Georgie brings a posey from Ferdinand to my good friend - Barbara
Johnson on September 1st, 1944," accompanied by a pen and ink drawing of a rabbit
bearing a bouquet with the tag "Nantucket wild flowers." Also contains Barbara Johnson's
bookplate on front endpaper and a typewritten description of the copy from a rare
book dealer. Lacking dust jacket. Third printing.
|
1936 | |||||
Leaf, Munro. The Story of Ferdinand. London: Hamish Hamilton | 1937 | |||||
Leaf, Munro.
The Story of Ferdinand. New York: The Viking Press Copy 1: Inscribed by Munro Leaf on p. [1]: "For Mrs. C.G. Thomas with all best wishes
of Ferdinand and Munro Leaf," with pen and ink sketches of a bull's head and man's
face. Also signed on p. [1] by former owner: "Gayle H. Thomas, May 3rd, 1938." 12th
printing. Copy 2: Stamped on p. [5]: "Nicola D'Ascenzo Memorial Collection." Includes
scrap of envelope addressed to Mr. Nicola Dascenzo. 16th printing. Lacking dust jacket.
|
1938 | |||||
Leaf, Munro.
The Story of Ferdinand. New York: Viking Consists of 1961 Viking Press printing, extensively pasted over with text in Latin
to form dummy for the book "Ferdinandus Taurus," published by the David McKay Company
in 1962. Includes galley proofs of "Index Verborum" stapled to back endpaper, and
Frederick R. Gardner's bookplate on endpaper verso. A letter dated March 28, 1962
from Sheila Dudley (associate editor at David McKay Company) to Frederick R. Gardner
is also enclosed.
|
1961 | |||||
Leaf, Munro. The Story of Ferdinand. New York: Puffin Books | 1977 | |||||
Pyle, Howard.
The Story of the Grail and the Passing of Arthur. New York: Charles Scribner's Sons. Inscribed on endpaper recto by his mother to Robert Lawson: "Rob Lawson. Christmas
1910. From his mother." Also contains Frederick R. Gardner's bookplate on endpaper
recto.
|
1910 | |||||
Bowie, Walter Russell.
The Story of Jesus for Young People. New York: Charles Scribners' Sons Contains Frederick R. Gardner's bookplate on endpaper recto.
|
1937 | |||||
Pyle, Howard.
The Story of King Arthur and His Knights. New York: Charles Scribner's Sons. Contains Marie Abrams' bookplate on front board and Frederick R. Gardner's bookplate
on endpaper recto.
|
1919 | |||||
Leaf, Munro.
The Story of Simpson and Sampson. New York: Viking Press Copy 1: Signed on half-title by Robert Lawson. Includes newspaper clipping of review
from the New York Herald-Tribune and Frederick R. Gardner's bookplate on endpaper
verso. Copy 2: Inscribed on half-title by Robert Lawson: "For little Harrol + Nina
with much love. Robbie Lawson." Copy 3: Inscribed on half-title by Robert Lawson:
"To May or the Lady Miranda from one of the train bearers. Guess which. Robert Lawson."
Also inscribed on half-title by Munro Leaf: "For May - Honest I try to keep my face
straight. Love Munro." May is May Massee of Viking Press.
|
1941 | |||||
Leaf, Munro. The Story of Simpson and Sampson. London: Frederick Warnie & Co. Ltd | 1944 | |||||
Lawson, Marie A.
Strange Sea Stories: Legends, Lore, and Superstitions of the Mysterious Waters. New
York: The Viking Press Inscribed on half-title by Marie Lawson: "For Peggy and Stuart with much love and
gratitude for their interest in Marie. Marie A. Lawson, December, 1.9.5.5." Also contains
Frederick R. Gardner's bookplate on endpaper verso.
|
1955 | |||||
White, T.H.
The Sword in the Stone. New York: G.P. Putnam's Sons Signed on half-title by previous owner: "Property of Mrs. Wm. Throne, 163 30th Ave,
San Mateo, Calif." Also contains Frederick R. Gardner's bookplate on endpaper verso.
Lacking dust jacket.
|
1939 | |||||
Stratton, Clarence.
Swords and Statues: A Tale of Sixteenth Century Italy. Philadelphia: The John C. Winston
Company Contains Frederick R. Gardner's bookplate on endpaper recto.
|
1937 | |||||
Lawson, Robert.
They Were Strong and Good. New York: The Viking Press Copy 1: Inscribed on half-title by Robert Lawson: "To dear Minka, with love from the
author and affection from the illustrator. Robin 1940." Also contains Frederick R.
Gardner's bookplate on endpaper recto. Copy 2: Includes newspaper clippings of reviews
from New York Herald and the New York Times. Also contains Frederick R. Gardner's
bookplate on endpaper recto. Copy 3: Bears a variant dust jacket.
|
1940 | |||||
Lawson, Robert. They Were Strong and Good. New York: The Viking Press | 1948 | |||||
Lawson, Robert.
They Were Strong and Good. Taipei, Taiwan: World Book Co. Ltd Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1953 | |||||
Lawson, Robert.
The Tough Winter. New York: Viking Press Copy 1: Signed on half-title by Robert Lawson: "My own copy. R. L." Also contains
Frederick R. Gardner's bookplate on endpaper verso and newspaper clippings of reviews
from the Commonweal, the New York Times, the Chicago Tribune, and the Herald Tribune.
Copy 2: Inscribed on half-title by Robert Lawson: "For Nina and Harrol who ought to
have enough of animals by now. Rob. Rabbit Hill Oct. 1954."
|
1954 | |||||
Tarn, W.W. The Treasure of the Isle of Mist. New York: G.P. Putnam's Sons | 1934 | |||||
Glenn, Mabelle. Tunes and Harmonies. Boston: Ginn and Company | 1936 | |||||
Brewton, John E.
Under the Tent of the Sky: A Collection of Poems About Animnals Large and Small. New
York: The Macmillan Company Signed on half-title by Robert Lawson: "Robert Lawson." Also contains Frederick R.
Gardner's bookplate on endpaper verso and newspaper clipping of a book review from
the New York Times.
|
1937 | |||||
Young, Ella.
The Unicorn with Silver Shoes. New York: Longmans, Green, & Co. Contains Frederick R. Gardner's bookplate on endpaper verso and newspaper clipping
of a book review from the New York Times.
|
1932 | |||||
Leaf, Munro. Walt Disney's Ferdinand the Bull. New York: Dell Publishing Co. | 1938 | |||||
Lawson, Robert.
Watchwords of Liberty: A Pageant of American Quotations. Boston: Little, Brown and
Company. Copy 1: Inscribed on half-title by Robert Lawson: "Written and illustrated for, by
and with K.T. Robin. July 8, 1943." Also contains Frederick R. Gardner's bookplate
on endpaper verso and newspaper clippings of reviews from the New York Herald Tribune,
New York Herald Tribune Weekly Book Review, and New York Times Book Review. Copy 2:
Inscribed on half-title by Robert Lawson: "For Harold and Mina, with love and best
wishes. Robbie Lawson. Aug. 4, 1943."
|
1943 | |||||
Lawson, Robert. Watchwords of Liberty: A Pageant of American Quotations. Boston: Little, Brown and Company | 1957 | |||||
Lawson, Robert.
Watchwords of Liberty: A Pageant of American Quotations. New York: Scholastic Book
Services Bookseller's stamp on front cover verso. Signed on front cover verso by M. Boland.
|
1965 | |||||
Leaf, Munro.
Wee Gillis. New York: Viking Press Copy 1: Contains Frederick R. Gardner's bookplate on endpaper verso and newspaper
clipping of review from an unidentified newspaper. Copy 2: Inscribed on title page
by Robert Lawson: "For Nina and Harold Bowman, hoping they will welcome a little Scotch.
Robbie Lawson, Sept. 1938."
|
1938 | |||||
Leaf, Munro. Wee Gillis. London: Hamish Hamilton | 1938 | |||||
Leaf, Munro.
Wee Gillis. New York: The Viking Press Copy 1: Signed on page [3] by Munro Leaf, number 1 of 525. Inscribed on page [2] by
Milton Glick: "My hat is off to the creators of Wee Gillis. Your books are a pleasure
to the Viking Production department. Milton Glick." Also inscribed on page [2] by
May Massee: "From the Rootabaga Country to Ballywooden - From Balls to Bagpipes -
Wherever else your pen (brush?) may wander - My devotion follows after, May Massee."
Also contains Frederick R. Gardner's bookplate on endpaper recto. Copy 2: Signed on
page [3] by Munro Leaf and Robert Lawson.
|
1938 | |||||
Mason, Arthur.
The Wee Men of Ballywooden. Garden City, N.Y.: Doubleday, Doran & Company, Inc. Contains Frederick R. Gardner's bookplate on endpaper verso and newspaper clippings
of book reviews from the New York Times and an unidentified periodical.
|
1930 | |||||
Mason, Arthur.
The Wee Men of Ballywooden. Garden City, N.Y.: Garden City Publishing Co., Inc. Inscribed on p. [3] by Arthur Mason: "To Elaine Wield, with a wee bit of a lilt. Oh,
for the [illegible] dance and the ring of the piper's tune. Arthur Mason."
|
1937 | |||||
Mason, Arthur.
The Wee Men of Ballywooden. New York: Viking Press Copy 1: Inscribed on half-title by Robert Lawson: "For Nina - the first I ever illustrated
and please don't say 'My how he has improved!' Robbie. Rabbit Hill - July 16, 1952."
Copy 2: Signed on half-title by Robert Lawson: "My own copy. R. L." Also contains
Frederick R. Gardner's bookplate on endpaper verso and a newspaper clipping of a review
from the Herald Tribune. A letter dated March 24,1930, from Arthur Mason to Robert
Lawson is also enclosed.
|
1952 | |||||
Cormack, Maribelle.
Wind of the Vikings: A Tale of the Orkney Isles. New York: D. Appleton-Century Company Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1937 | |||||
Chester, George Randolph.
The Wonderful Adventures of Little Prince Toofat. New York: The James A. McCann Company
Publishers Contains Frederick R. Gardner's bookplate on endpaper verso. Plate [4] damaged.
|
1922 | |||||
Ferris, Helen.
Writing Books for Boys and Girls: A Young Wings Anthology of Essays by Two Hundreed
Sixteen Authors Who Tell How They Came to Write Their Special Kinds of Books for Young
Readers. Garden City, N.Y.: The Junior Literary Guild Contains Frank Michael Halpern's bookplate on front paste-down.
|
1952 | |||||
Leaf, Munro.
Zgodba o Ferdinandu. Ljubljana: Mladinska knjiga Contains Frederick R. Gardner's bookplate on endpaper verso.
|
1957 | |||||
Papers of Frederick R. Gardner related to the collection | ||||||
Catalogs and Inventories This series includes three copies of Frederick R. Gardner's inventory of his Robert
Lawson collection, a folder of addenda to the inventory (including the etchings provided
by Robert Lawson's executrix, Margaret Otto), and Margaret Otto's sales ledger relating
to the estate of Robert Lawson and his artworks.
|
circa 1957-1980 | 45 |
1-5 |
|||
Correspondence Includes some correspondence from Robert Lawson collected by Frederick R. Gardner
as well as Gardner's own correspondence relating to his collecting project.
|
1938-1977 | 46 |
1-5 |
|||
Clippings | 1930-1977 | 46 |
6-7 |
|||
Interview with May Massee regarding Robert Lawson, audiotape | 17 April 1963 | 42 |
1 |
|||
Photographs of Rabbit Hill | 1962 | 46 |
8 |
|||
Promotional materials relating to the Free Library of Philadelphia's 1977 exhibit "Robert Lawson: Illustrator and Author" | 1977 | 46 |
9-10 |
Table of Contents
- Summary Information
- Biography/History
- Scope and Contents
- Arrangement
- Administrative Information
- Related Materials
- Controlled Access Headings
- Collection Inventory (+)
Location
Rare Book Department:
Third Floor, Central Library
Hours of Operation
Weekdays 9 a.m. - 5 p.m.
Tours of the department are available Monday through Friday at 11 a.m., or at other times by prior arrangement
Contact
215-686-5416